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" "We all need money to live and continue to make our art. And sometimes these prizes and awards can be a sort of validation. But money and prizes don’t mean that the work you produce is going to be any good. Sometimes those accolades actually get in the way. The lean times are often when the good stuff happens. So, let’s not get fixated on fame and money. Write like you’re on fire, be fearless, dream and explore. (2022)
Jessica Tarahata Hagedorn (born 1949) is a Filipino playwright, writer, poet, and multimedia performance artist.
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The work involved in writing a novel is completely solitary, unlike playwriting. And the struggle is often painful. There is no one to turn to but yourself. You confront your own demons in order to dig deep and come up with something risky and powerful. Playwriting is the exact opposite process for me because it's so collaborative. If you're blessed with a terrific cast, a visionary director, an innovative sound and design team, then your play has a ninety-nine percent chance of being realized in the best possible way. I think people forget -- even some of my most aware graduate students! -- that writing is hard work. Period.
It’s best if you go out in the world knowing more than one language, I don’t care what the language is. It’s good for your brain to dream in another language. It gives you a clue, another perspective, a way of understanding, some compassion for other people—even if it’s just because you know how to joke in another language. (1991)
What I try to share with younger artists, not just writers, is you have to not be afraid. You have to try it. It’s our job. And do your homework while you’re at it. But don’t squash your imagination. I mean, my imagination is all I have. I mean, it’s unique to me, unique to you, unique to my students. They have their own, and they have to learn to trust it. (2019)