(KASJ: Could you have written this book in any other place? The whole thing is about the Philippines.) JH: Maybe the question is really: Why does a c… - Jessica Hagedorn

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(KASJ: Could you have written this book in any other place? The whole thing is about the Philippines.) JH: Maybe the question is really: Why does a certain place have a pull on a writer? People probably do wonder that about me. I've lived in the US for over 30 years. Why do I keep writing stories that are largely set in the Philippines? C'mon! The culture is just so rich and has so much happening in it. To me it's a treasure trove. Lush, stark, abundant, untainted, polluted. The whole world has gone through there: Arabs, Chinese, Spanish, Portuguese, Dutch, Brits, Americans. The Philippines has everything. The supernatural, the superreal, and the surreal. It's about grim reality, too. It's about faith in a larger being, a deep, ingrained spiritual faith. It's about strength and courage, but also about corruption, humor and generosity. I mean, God! You almost don't have to make anything up...Everything there is rife with, you know, dramatic conflict, tension, and romance. It's an extravagant culture bursting with extravagant emotions. It also is the place where I grew up, so it will always have real and lasting meaning for me. (The Women's Review of Books, March 2004)

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About Jessica Hagedorn

Jessica Tarahata Hagedorn (born 1949) is a Filipino playwright, writer, poet, and multimedia performance artist.

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Alternative Names: Jessica Tarahata Hagedorn
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By saying that all my characters have a little bit of me in them, I mean that I try to be invested and empathetic in all my characters—whether they are principal or secondary, deeply flawed and not very “nice.” If you’re in tune with your story then the characters do come at you organically. There isn’t an order to how they might appear.

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I have been definitely influenced more by Latin American writers than by any other type of writer. They are very close in terms of voice their humor, their fatalism, their... well, that overused term "magical realism." It's a wonderful term that's just been used so much we don't know what it means anymore. But the way they can use language and visions and surrealism without being corny, and the humor that's always there, is very close to a Filipino sensibility. More so than-now this is a completely personal perception-other writers from Southeast Asia.

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