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Last year nothing happened / The year before nothing happened / And the year before that nothing happened. - Osamu Dazai
" "Last year nothing happened / The year before nothing happened / And the year before that nothing happened.
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About Osamu Dazai
Shūji Tsushima (津島 修治) known by his pen name Osamu Dazai (太宰 治), (June 19, 1909 – June 13, 1948) was a Japanese author who is considered one of the foremost fiction writers of 20th-century Japan. A number of his most popular works, such as The Setting Sun (斜陽, Shayō) and No Longer Human (人間失格, Ningen Shikkaku), are considered modern-day classics in Japan. No Longer Human (his last finished book) is his most popular work outside Japan. With a semi-autobiographical style and transparency into his personal life, Dazai’s stories have intrigued the minds of many readers. His books also bring about awareness to a number of important topics such as human nature, mental illness, social relationships, and postwar Japan. He attempted suicide several times throughout his life and finally died in a suicide pact with a woman named Tomie Yamazaki (山崎富栄).
Also Known As
Native Name:
太宰 治
Alternative Names:
Tsushima Shuji
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Additional quotes by Osamu Dazai
It is true, I suppose, that nobody finds it exactly pleasant to be criticized or shouted at, but I see in the face of the human being raging at me a wild animal in its true colors, one more horrible than any lion, crocodile or dragon. People normally seem to be hiding this true nature, but an occasion will arise (as when an ox sedately ensconced in a grassy meadow suddenly lashes out with its tail to kill the horsefly on its flank) when anger makes them reveal in a flash human nature in all its horror. Seeing this happen has always induced in me a fear great enough to make my hair stand on end, and at the thought that this nature might be one of the prerequisites for survival as a human being, I have come close to despairing of myself.
To tell the truth, when I first came to the city, I was afraid to board a streetcar because of the conductor; I was afraid to enter the Kabuki Theater for fear of the usherettes standing along the sides of the red-carpeted staircase at the main entrance; I was afraid to go into a restaurant because I was intimidated by the waiters furtively hovering behind me waiting for my plate to be emptied. Most of all I dreaded paying a bill-my awkwardness when I handed over the money after buying something did not arise from my stinginess, but from excessive tension, excessive embarrassment, excessive uneasiness and apprehension. My eyes would swim in my head, and the whole world grow dark before me, so that I felt half out of my mind.
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