In myth, violent death is always justified. - René Girard

Les représentations théâtrales, elles aussi, sont enracinées dans la violence collective et ce sont des espèces de rites, mais plus nettoyés encore de leur violence que les sacrifices animaux, et plus riches sur le rapport culturel, puisque ce sont toujours, au moins indirectement, des méditations sur l'origine du religieux et de la culture tout entière, des sources potentielles de savoir.

"We feel that we are at the point of attaining autonomy as we imitate our models of power and prestige. This autonomy, however, is really nothing but a reflection of the illusions projected by our admiration for them. The more this admiration mimetically intensifies, the less aware it is of its own mimetic nature. The more "proud" and "egotistic" we are, the more enslaved we become to our mimetic models."

Christ's death represents the loss of Satan's kingdom: the Satanic circle is broken, and the truth and grace of Jesus can now descend on those who are not afraid of accepting it. The Holy Spirit, which is to say the defender of victims, acts first on Peter and the other apostles, telling them that Jesus is innocent and that they are mistaken. Subsequently it acts on other persecutors, showing them that they too are persecutors, making them see the victim's innocence. What we call conversion is, finally, the experience of the scapegoat becoming the subjective experience of the persecutor. MSB