114 Quotes Tagged: mythology

The old Gods
may be ash and bone now,
but in us they rise anew.

Gaia visited her daughter Mnemosyne, who was busy being unpronounceable.

unsignificantly
off the coast
there was

a splash quite unnoticed
this was
Icarus drowning

A ritual is the enactment of a myth. And, by participating in the ritual, you are participating in the myth. And since myth is a projection of the depth wisdom of the psyche, by participating in a ritual, participating in the myth, you are being, as it were, put in accord with that wisdom, which is the wisdom that is inherent within you anyhow. Your consciousness is being re-minded of the wisdom of your own life. I think ritual is terribly important.

"Can you surf really well, then?"
I looked at Grover, who was trying hard not to laugh.
"Jeez, Nico," I said. "I've never really tried."
He went on asking questions. Did I fight a lot with Thalia, since she was a daughter of Zeus? (I didn't answer that one.) If Annabeth's mother was Athena, the goddess of wisdom, then why didn't Annabeth know better than to fall off a cliff? (I tried not to strangle Nico for asking that one.) Was Annabeth my girlfriend? (At this point, I was ready to stick the kid in a meat-flavored sack and throw him to the wolves.)

"A woman has her Juno, just as a man has his Genius; they are names for the sacred power, the divine spark we each of us have in us. My Juno can't "get into" me, it is already my deepest self. The poet was speaking of Juno as if it were a person, a woman, with likes and dislikes: a jealous woman.

The world is sacred, of course, it is full of gods, numina, great powers and presences. We give some of them names — Mars of the fields and the war, Vesta the fire, Ceres the grain, Mother Tellus the earth, the Penates of the storehouse. The rivers, the springs. And in the storm cloud and the light is the great power called the father god. But they aren't people. They don't love and hate, they aren't for or against. They accept the worship due them, which augments their power, through which we live."

Something has got to hold it together. I'm saying my prayers to Elmer, the Greek god of glue.

Life will always be sorrowful. We can't change it, but we can change our attitude toward it.

He loved a lifeless thing and he was utterly and hopelessly wretched.

I believe in everything until it's disproved. So I believe in fairies, the myths, dragons. It all exists, even if it's in your mind. Who's to say that dreams and nightmares aren't as real as the here and now?

One describes a tale best by telling the tale. You see? The way one describes a story, to oneself or to the world, is by telling the story. It is a balancing act and it is a dream. The more accurate the map, the more it resembles the territory. The most accurate map possible would be the territory, and thus would be perfectly accurate and perfectly useless.
The tale is the map that is the territory.
You must remember this.

"Aeneas' mother is a star?"

"No; a goddess."

I said cautiously, "Venus is the power that we invoke in spring, in the garden, when things begin growing. And we call the evening star Venus."

He thought it over. Perhaps having grown up in the country, among pagans like me, helped him understand my bewilderment. "So do we, he said. "But Venus also became more...With the help of the Greeks. They call her Aphrodite...There was a great poet who praised her in Latin. Delight of men and gods, he called her, dear nurturer. Under the sliding star signs she fills the ship-laden sea and the fruitful earth with her being; through her the generations are conceived and rise up to see the sun; from her the storm clouds flee; to her the earth, the skillful maker, offers flowers. The wide levels of the sea smile at her, and all the quiet sky shines and streams with light..."

It was the Venus I had prayed to, it was my prayer, though I had no such words. They filled my eyes with tears and my heart with inexpressible joy."

There were formerly horizons within which people lived and thought and mythologized. There are now no more horizons. And with the dissolution of horizons we have experienced and are experiencing collisions, terrific collisions, not only of peoples but also of their mythologies. It is as when dividing panels are withdrawn from between chambers of very hot and very cold airs: there is a rush of these forces together. And so we are right now in an extremely perilous age of thunder, lightning, and hurricanes all around. I think it is improper to become hysterical about it, projecting hatred and blame. It is an inevitable, altogether natural thing that when energies that have never met before come into collision — each bearing its own pride — there should be turbulence. That is just what we are experiencing; and we are riding it: riding it to a new age, a new birth, a totally new condition of mankind — to which no one anywhere alive today can say that he has the key, the answer, the prophecy, to its dawn. Nor is there anyone to condemn here (”Judge not, that you may not be judged!”). What is occurring is completely natural, as are its pains, confusions, and mistakes.

"I always thought they were fabulous monsters!" said the Unicorn. "Is it alive?"
"It can talk," said Haigha, solemnly.
The Unicorn looked dreamily at Alice, and said, "Talk, child."
Alice could not help her lips curling up into a smile as she began: "Do you know, I always thought Unicorns were fabulous monsters, too! I never saw one alive before!"
"Well, now that we have seen each other," said the Unicorn, "if you'll believe in me, I'll believe in you. Is that a bargain?"

One finds the same basic mythological themes in all the religions of the world, from the most primitive to the most sophisticated, from the North American plains to European forests to Polynesian atolls. The imagery of myth is a language, a lingua franca that expresses something basic about our deepest humanity. It is variously inflected in its various provinces.