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" "Hvem veed? maaske man tager fejl, maaske Ens Forstand, Ens Instinkt, Ens Sandser, med al deres dagslyse Klarhed, dog fører En vild, maaske det netop gjælder om at have det uforstandige Mod at følge den Haabets Lygtemand, som brænder over Ens Lidenskabers attraasvangre Gjæring. Det er først naar man har hørt Afgjørelsens Dør slaa i, at Vishedens jernkolde Kløer graver sig ind i Ens Bryst for langsomt, langsomt at samle sig i Ens Hjærte om den nervefine Traad af Haab, hvori Ens Lykkeverden hænger, saa skjæres Traaden over, saa falder det, den bar, saa knuses det, saa kommer Fortvivlesens Skrig skarpt gjennem Tomheden.
I Tvivl fortvivler der Ingen.
Jens Peter Jacobsen (7 April 1847 – 30 April 1885) was a Danish novelist, poet, and scientist, in Denmark often just written as "J. P. Jacobsen". He began the naturalist movement in Danish literature and was a part of the Modern Breakthrough.
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Parents, sisters and brothers, neighbors and friends — none of them ever said a word that was worth listening to. Their thoughts never rose above their land and their business; their eyes never sought anything beyond the conditions and affairs that were right before them.
But the poems! They teemed with new ideas and profound truths about life in the great outside world, where grief was black, and joy was red; they glowed with images, foamed and sparkled with rhythm and rhyme. They were all about young girls, and the girls were noble and beautiful — how noble and beautiful they never knew themselves. Their hearts and their love meant more than the wealth of all the earth; men bore them up in their hands, lifted them high in the sunshine of joy, honored and worshipped them, and were delighted to share with them their thoughts and plans, their triumphs and renown. They would even say that these same fortunate girls had inspired all the plans and achieved all the triumphs.
Why might not she herself be such a girl? They were thus and so — and they never knew it themselves. How was she to know what she really was? And the poets all said very plainly that this was life, and that it was not life to sit and sew, work about the house, and make stupid calls.
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He did not think of love as an eternally vigilant, blazing flame, which with its powerful, flickering glow shown into all the peaceful folds of life and in some fantastic way made everything seem bigger and stronger than it was. For him, love was more like the calm, smoldering ember that gives off an even heat from its soft bed of ashes and in the muted twilight tenderly forgets what is distant and makes what is near seem twice as close and twice as intimate.