Boccioni, Russolo and I all met in the Porta Vittoria café [in Milan, Italy], close to where we all lived, and we enthusiastically outlined a draft o… - Carlo Carrà

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Boccioni, Russolo and I all met in the Porta Vittoria café [in Milan, Italy], close to where we all lived, and we enthusiastically outlined a draft of our appeal [the Manifesto of Futurist Painters, late February, 1910]. The final version was somewhat laborious; we worked on it all day, all three of us and finished it that evening with Marinetti and the help of Decio Cinti, the group's secretary.

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About Carlo Carrà

Carlo Carrà (February 11, 1881 – April 13, 1966) was a leading artist in Italian Futurism. In addition to his many paintings, he wrote a number of articles concerning art and Futurism.

Also Known As

Alternative Names: Carlo Dalmazzo Carrà Carlo D. Carra C. Carrà Carlo Dalmazza Carrà Karlo Karra Carlo Carra Carlo Carrá C. Dalmazza Carlo Dalmal Carrà Carlo Dalmazzo Carra C. Carra Carlo Dalmazza Carra Carlo Dalmal Carra Carlo D. Carrà
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We [The Futurists] stand for a use of colour free from the imitation of objects and things as coloured objects. We stand for an aerial vision in which the material of colour is expressed in all of the manifold possibilities our subjectivity can create.

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When we talk of architecture, people usually think of something static; this is wrong. What we are thinking of is an architecture similar to the dynamic and musical architecture achieved by the Futurist musician Pratella. Architecture is found in the movement of colours, of smoke from a chimney and in metallic structures, when they are expressed in states of mind which are violent and chaotic.

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