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" "We insist that our concept of perspective is the total antitheses of all static perspective. It is dynamic and chaotic in application, producing in the mind of the observer a veritable mass of plastic emotions.
Carlo Carrà (February 11, 1881 – April 13, 1966) was a leading artist in Italian Futurism. In addition to his many paintings, he wrote a number of articles concerning art and Futurism.
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The idea for this picture came to me one winter's night as I was leaving La Scala. In the foreground there is a snow sweeper with a few couples, men in top hats and elegant ladies. I think that this canvas, which is totally unknown in Italy, is one of the paintings where I best represented the concept that I had the time about my art.
Boccioni, Russolo and I all met in the Porta Vittoria café [in Milan, Italy], close to where we all lived, and we enthusiastically outlined a draft of our appeal [the Manifesto of Futurist Painters, late February, 1910]. The final version was somewhat laborious; we worked on it all day, all three of us and finished it that evening with Marinetti and the help of Decio Cinti, the group's secretary.
..that dizzy seething of forms and acoustic lights, rowdy and smelly [visible in the paintings at the Futurist exhibition, February 1912 in Paris].. ..to obtain this total painting which calls for the active cooperation of all the senses: painting of the plastic mood of the universal, you have to paint the way drunkards sing and vomit, sounds, noises and smells.