Some Americans can be persuaded to live shorter and worse lives, provided that they are under the impression, rightly or wrongly, that blacks (or per… - Timothy Snyder

If you once believed that everything always turns out well in the end, you can be persuaded that nothing turns out well in the end. If you once did nothing because you thought progress is inevitable, then you can continue to do nothing because you think time moves in repeating cycles.

The lesson that Hitler had drawn from the Balkans, Schmitt presented as a purely German idea: There is no such thing as domestic politics as such, since everything begins with the confrontation with a chosen foreign enemy. The definition of the domestic was that which had to be manipulated to destroy what is foreign. Germany itself had no content. The idea of the people, the Volk, was there to persuade Germans to throw themselves into their murderous destiny as a race. The people were only what they proved themselves to be, which without struggle was nothing.

Politicians in our times feed their clichés to television, where even those who wish to disagree repeat them. Television purports to challenge political language by conveying images, but the succession from one frame to another can hinder a sense of resolution. Everything happens fast, but nothing actually happens. Each story on televised news is ”breaking” until it is displaced by the next one. So we are hit by wave upon wave but never see the ocean.

The effort to define the shape and significance of events requires words and concepts that elude us when we are entranced by visual stimuli. Watching televised news is sometimes little more than looking at someone who is also looking at a picture. We take this collective trance to be normal. We have slowly fallen into it.

More than half a century ago, the classic novels of totalitarianism warned of the domination of screens, the suppression of books, the narrowing of vocabularies, and the associated difficulties of thought. In Ray Bradbury’s Fahrenheit 451, published in 1953, firemen find and burn books while most citizens watch interactive television. In George Orwell’s 1984, published in 1949, books are banned and television is two-way, allowing the government to observe citizens at all times. In 1984, the language of visual media is highly constrained, to starve the public of the concepts needed to think about the present, remember the past, and consider the future. One of the regime’s projects is to limit the language further by eliminating ever more words with each edition of the official dictionary.

Staring at screens is perhaps unavoidable, but the two-dimensional world makes little sense unless we can draw upon a mental armory that we have developed somewhere else. When we repeat the same words and phrases that appear in the daily media, we accept the absence of a larger framework. To have such a framework requires more concepts, and having more concepts requires reading. So get the screens out of your room