Tam o anda tüm olan biteni neyin harekete geçirdiğini kavradı, varoluşun itici gücünün mecburiyet olduğunu, itici gücün motivasyonu doğurduğunu, moti… - László Krasznahorkai

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Tam o anda tüm olan biteni neyin harekete geçirdiğini kavradı, varoluşun itici gücünün mecburiyet olduğunu, itici gücün motivasyonu doğurduğunu, motivasyonun ise belirlenmiş ilişkiler içinde saldırgan bir katılımı sağladığını, varlığımızın bulunduğu bu katılım noktasından, araştırmacı reflekslerinin önceden belirlenmiş dizisini kullanarak kendisi için faydalı olanı bulmaya çabaladığı noktada, varlığın tümlüğünün aslında bu arzulanan ilişkinin gerçekte var olup olmamasına bağlı olduğunu, tüm bunların sabrın yeterliliğine, mücadelenin incelikli noktalarına ve tesadüflerine göre şekillendiği ve başarılı hareketin, benliksiz varlığın, tam deneme yanılma niteliği taşıdığını kavradı.

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About László Krasznahorkai

László Krasznahorkai (; born 5 January 1954) is a Hungarian novelist and screenwriter known for difficult and demanding novels, often labeled postmodern, with dystopian and melancholic themes. Several of his works, including his novels Satantango (, 1985) and The Melancholy of Resistance (, 1989), have been turned into feature films by Hungarian film director Béla Tarr.

Biography information from Wikipedia

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Native Name: Krasznahorkai László
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as he noticed the feeble ticking of his watch, he suddenly realized that he had been escaping all his life, that life had been a constant escape, escape from meaninglessness into music, from music to guilt, from guilt and self-punishment into pure ratiocination, and finally escape from that too, that it was retreat after retreat, as if his guardian angel had, in his own peculiar fashion, been steering him to the antithesis of retreat, to an almost simple-minded acceptance of things as they were, at which point he understood that there was nothing to be understood, that if there was reason in the world it far transcended his own, and that therefore it was enough to notice and observe that which he actually possessed.

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how could he describe what so weighed him down, how could he explain how long ago he had given up the idea of thought, the point at which he first understood the way things were and knew that any sense we had of existence was merely a reminder of the incomprehensible futility of existence, a futility that would repeat itself ad infinitum, to the end of time and that, no, it wasn’t a matter of chance and its extraordinary, inexhaustible, triumphant, unconquerable power working to bring matters to birth or annihilation, but rather the matter of a shadowy demonic purpose, something embedded deep in the heart of things, in the texture of the relationship between things, the stench of whose purpose filled every atom, that it was a curse, a form of damnation, that the world was the product of scorn, and God help the sanity of those who called themselves thinkers,

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