All I feel are the assaults of apprehension and terror at the thought that I am the only one who is entirely unlike the rest. It is almost impossible… - Osamu Dazai

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All I feel are the assaults of apprehension and terror at the thought that I am the only one who is entirely unlike the rest. It is almost impossible for me to converse with other people. What should I talk about, how should I say it? — I don't know.

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About Osamu Dazai

Shūji Tsushima (津島 修治) known by his pen name Osamu Dazai (太宰 治), (June 19, 1909 – June 13, 1948) was a Japanese author who is considered one of the foremost fiction writers of 20th-century Japan. A number of his most popular works, such as The Setting Sun (斜陽, Shayō) and No Longer Human (人間失格, Ningen Shikkaku), are considered modern-day classics in Japan. No Longer Human (his last finished book) is his most popular work outside Japan. With a semi-autobiographical style and transparency into his personal life, Dazai’s stories have intrigued the minds of many readers. His books also bring about awareness to a number of important topics such as human nature, mental illness, social relationships, and postwar Japan. He attempted suicide several times throughout his life and finally died in a suicide pact with a woman named Tomie Yamazaki (山崎富栄).

Also Known As

Native Name: 太宰 治
Alternative Names: Tsushima Shuji
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Additional quotes by Osamu Dazai

Whenever I was asked what I wanted my first impulse was to answer "Nothing." The thought went through my mind that it didn't make any difference, that nothing was going to make me happy. At the same time I was congenitally unable to refuse anything offered to me by another person, no matter how little it might suit my tastes. When I hated something, I could not pronounce the words, “I don’t like it.” When I liked something I tasted it hesitantly, furtively, as though it were extremely bitter. In either case I was torn by unspeakable fear. In other words, I hadn’t the strength even to choose between two alternatives.

They say that love flies out the window when poverty comes in the door, but people generally get the sense backwards. It doesn’t mean that when a man’s money runs out he’s shaken off by women. When he runs out of money, he naturally is in the dumps. He’s no good for anything. The strength goes out of his laugh, he becomes strangely soured. Finally, in desperation, he shakes off the woman.

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