The old saying that “history is written by the winners” is – to some degree – true for a great deal of traditional, written history. Only recently – … - Michael Bronski

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The old saying that “history is written by the winners” is – to some degree – true for a great deal of traditional, written history. Only recently – maybe the past 100 years – have traditional historians been willing to look at the histories of minoritized groups and begin including them in mainstream narratives. But this is only focusing on traditional, mainstream histories – there are a number of ways that minoritized groups wrote, recorded, maintained, and saved their own histories. Often this was through alternative means – private correspondence, diaries, folk lore, songs, oral histories, visual cultures, theatre – and often dismissed by academic and traditional historians. The problem with how we conceptualise history is that it is prone to wanting to tell one story (usually the dominant one). The reality is that history – at its core – is multiple stories from multiple points of view. It is not a series of snapshots but many films, all shown at the same time. I do not think that history has a “responsibility” – that is very abstract – but that each and everyone one of us share the responsibility to not only insist on telling our own stories, but on encouraging everyone to tell theirs.

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About Michael Bronski

Michael Bronski (born May 12, 1949) is an academic and writer, who has won numerous awards for LGBTQ activism and scholarship, including the prestigious Publishing Triangle's Bill Whitehead Award for Lifetime Achievement. Bronski is a Professor of Practice in Media and Activism at Harvard University.

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many LGBTQ people did create art (writing, painting etc) that was recognized if their sexual identity was not well known. And sometimes even if they were more open, they were recognized because they were seen as exotic, or ‘different,’ or unusual (outside the norm) but not threatening. There are ways that some types of people can get around the strictures of the power structures. It is very easy to say that all minority groups are oppressed by the dominant power structure – but the reality is that groups are oppressed in different ways. Often one of the ways that they are oppressed is that the dominant culture lets one or two members of that group become noted: “She is a great woman artist” or “He is a very talented black actor.” And by singling out individuals, it makes them stand apart from their group and therefore retains the stigma for the entire group

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