Michael Bronski Quotes

My earliest involvement in the gay community was in the gay liberation movement of the early 1970s. We had very strong opinions then. I have come to realize that in life and politics, there is always more to take into consideration. If there is one clear, unambiguous argument here, it is that the LGBT history of America is, and has always been, U.S. history. (Author's Note)

Pedagogy, like history, will never be able to contain all of America-a great country, an evil country, a place of tremendous generosity and welcome as well as pronounced disdain for foreigners and outsiders. America is not one thing or another. America is queer.

Whatever sexuality means today and did not mean before, the word, like others before it, has always attempted to describe something we know is not reducible to a word, an identity, or even a set of behaviors.

the contributions of people whom we may now identify as lesbian, gay, bisexual, or transgender are integral and central to how we conceptualize our national history. Without the work of social activists, thinkers, writers, and artists such as We'Wha, Walt Whitman, Emily Dickinson, [[Martha "Calamity" Jane Cannary Burke, Edith Guerrier, Countee Cullen, Ethel Waters, Bayard Rustin, Roy Cohn, Robert Mapplethorpe, Cherrie Moraga, and Lily Tomlin, we would not have the country that we have today. Women and men who experienced and expressed sexual desires for their own sex and those who did not conform to conventional gender expectations have always been present, in both the everyday and the imaginative life of our country. They have profoundly helped shape it, and it is inconceivable, and ahistorical, to conceptualize our traditions and history without them.

many LGBTQ people did create art (writing, painting etc) that was recognized if their sexual identity was not well known. And sometimes even if they were more open, they were recognized because they were seen as exotic, or ‘different,’ or unusual (outside the norm) but not threatening. There are ways that some types of people can get around the strictures of the power structures. It is very easy to say that all minority groups are oppressed by the dominant power structure – but the reality is that groups are oppressed in different ways. Often one of the ways that they are oppressed is that the dominant culture lets one or two members of that group become noted: “She is a great woman artist” or “He is a very talented black actor.” And by singling out individuals, it makes them stand apart from their group and therefore retains the stigma for the entire group

A Queer History of the United States stops at 1990, but LGBT communities have seen enormous changes since then. By the late 1980s, the rise of the so-called "Gaybe Boom" was beginning, as increasing numbers of children were born into two-parent same-sex households. Lesléa Newman's children's book Heather Has Two Mommies-which became a target in the culture wars of the 1990s-was emblematic of this sea change in the community.

I have no “vision” as a professor. I think the best I can do is give my students interesting, provocative material they cannot find on their own and make them think – think deeply – about it. In many ways I learn more from my students than I think they learn from me. Education has to be a two-way street of knowledge and information and thoughts should be freely flowing, both ways. Of course I know more “facts and “statistics” etc. than my students but I do not necessarily know better what they mean or how to think about them in complicated ways. An “educated society” is a society that just spends more time thinking and trying to understand itself: its impulses, its desires, its fears, and its dreams. That is what I hope happens in my classroom!

The second decade of the twenty-first century—just 150 years after Karl Heinrich Ulrichs and Karl-Maria Kurtbeny, early LGBT rights theorists, ignited the idea of same-sex freedom in 1868—we find ourselves in a heady, global maelstrom of unimaginable liberation and continued stark oppression.

Books that get banned – historically and now in many, many states in the U.S. – are banned not because they are immoral (under accepted and promoted religious ideologies) but because they challenge a current orthodoxy. Often this orthodoxy is about sexuality, gender and sometimes race. But this is only part of what causes this – for the most part what we call “art” (good or bad art) is a product of the imagination. The nature of the imagination is to, well “imagine” – to think outside of the frames of the real, the material world, what is possible, what is considered acceptable. So this is the reason why “art” gets challenged most often by censorship --- it is, or can be, by its nature, a challenge to the status quo to what we are expected to accept as “normal".

in America, equality under the law is a complicated affair. Certainly it is true that while laws are for everyone, they are often enforced mainly against the disenfranchised.

entertainment in its broadest sense-popular ballads, vaudeville, films, sculptures, plays, paintings, pornography, pulp novels-has not only been a primary mode of expression of LGBT identity, but one of the most effective means of social change. Ironically, the enormous political power of these forms was often understood by the people who wanted to ban them, not by the people who were simply enjoying them.

Youth sexuality has often been, like homosexuality, unspeakable in our culture. This has been America's dirty little secret: teens and children think about sex. Some have sexual desires for members of their own gender. Young people coming out earlier, and often finding support in their homes and schools, is a major political advancement. For over a century, charges of "molestation," "corruption of a minor," and "recruitment” have been used-explicitly by J. Edgar Hoover, Anita Bryant, and others, and implicitly by many who are opposed to same-sex marriage-to demonize lesbians and gay men and deny them full citizenship. There may always be bias against LGBT people, but the charges of molestation will eventually fade as more youth come out.

Interpretations are best made with the long view in mind.

At its best “art” is subversive and can change the world. Thus, making it not only a viable threat, but a dangerous one.

in many ways my personal life (which I wrote about a lot) was really a public life. This may not be the case for many, even most people, but for me my private and public life became one. People can say what they thought – and did – but what I was doing, felt perfectly natural to me.