the contributions of people whom we may now identify as lesbian, gay, bisexual, or transgender are integral and central to how we conceptualize our national history. Without the work of social activists, thinkers, writers, and artists such as We'Wha, Walt Whitman, Emily Dickinson, [[Martha "Calamity" Jane Cannary Burke, Edith Guerrier, Countee Cullen, Ethel Waters, Bayard Rustin, Roy Cohn, Robert Mapplethorpe, Cherrie Moraga, and Lily Tomlin, we would not have the country that we have today. Women and men who experienced and expressed sexual desires for their own sex and those who did not conform to conventional gender expectations have always been present, in both the everyday and the imaginative life of our country. They have profoundly helped shape it, and it is inconceivable, and ahistorical, to conceptualize our traditions and history without them.
American writer and academic
Michael Bronski (born May 12, 1949) is an academic and writer, who has won numerous awards for LGBTQ activism and scholarship, including the prestigious Publishing Triangle's Bill Whitehead Award for Lifetime Achievement. Bronski is a Professor of Practice in Media and Activism at Harvard University.
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The old saying that “history is written by the winners” is – to some degree – true for a great deal of traditional, written history. Only recently – maybe the past 100 years – have traditional historians been willing to look at the histories of minoritized groups and begin including them in mainstream narratives. But this is only focusing on traditional, mainstream histories – there are a number of ways that minoritized groups wrote, recorded, maintained, and saved their own histories. Often this was through alternative means – private correspondence, diaries, folk lore, songs, oral histories, visual cultures, theatre – and often dismissed by academic and traditional historians. The problem with how we conceptualise history is that it is prone to wanting to tell one story (usually the dominant one). The reality is that history – at its core – is multiple stories from multiple points of view. It is not a series of snapshots but many films, all shown at the same time. I do not think that history has a “responsibility” – that is very abstract – but that each and everyone one of us share the responsibility to not only insist on telling our own stories, but on encouraging everyone to tell theirs.
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what we wanted to do was a Queer History, which would be rather a history of a sensibility rather than a history of what certain people did or didn't do. I think that a Queer sensibility would be a sensibility that would be from the outside. So whereas LGBT people may have lived to a large degree on the outside--although not always since many of these people were in fact not openly gay at the time--what the book does is that it looks at American History from the point of view of an outsider.
Since the 1960s, there have been movements to include those people who have been "left out" of American history. So we see Women's History, African-American history, Latino history, Native American history. And certainly when we think about Gay and Lesbian or GLBT history, that's the same impulse--to bring Gay and Lesbian people back into American history. When I began writing the book, it struck me that the more research I did, that while this project was well-intentioned, it was rather unnecessary. That in fact gay, lesbian, bisexual, transgender people, African-American people, Latino people, women have always been in American history. So the very process of separating people out in order to put them back in seemed to me to be shortsighted. So the purpose of the book as I began writing it became clearer and clearer--it was simply to identify and find the LGBT people that are in American history already. The more I did this, what I discovered was that there were so many people, so many events, people's lives, people's personalities were so intertwined with what we think of as American history that there was no separation at all.