novelist, poet, essayist, short story writer
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“Black Dove” [“Paloma Negra”] is a mariachi song, and we Mexicans love our mariachis; we'd go celebrate Mother's Day or a birthday or something and ask for a song that brings a great deal of sentimental feeling to us individually or the table. That's how I feel with "Black Dove." In the book I explain that it's a song that my mother actually sang as I left home as a young woman. My mother was very traditional, and in her mind, the way a girl leaves home is through marriage—me going out with my little satchel was not how they imagined it. They imagined the worst, that I was going to end up in a cabaret as one of those that dances for a few fellas.
Chicano/as-Mexicans are the only people besides the Native Americans who have a treaty with the United States. As with many of the treaties between Native Americans and the U.S. government, ours, The Treaty of Guadalupe Hidalgo has been largely violated. This appropriation of territory came as a result of what is known on this side of the border as the Mexican-American war (1846-1848). In Mexico it is known as the North American Invasion. Again, we see that history depends on the view of the chronicler. Despite our constant presence on these lands since before the establishment of this nation, the book-market industry in the United States continues to render us invisible.
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(In one of your essays in the book, from 2012, you write about Beyoncé and Jennifer Lopez and say they are "[d]oing no more than supporting and promoting patriarchal and capitalist goals." Do you still feel this way about them, even as they—Beyoncé especially—are often held up as feminist icons?) AC: I do, but I know that I would have a lot of women of color of younger generations argue with me about that. I come from a generation of radical feminism; we believed in not using your body for financial gain and that sexualization fed into violence against women. I know that dates me. The performances that both Jennifer Lopez and Beyoncé give are highly sexually charged, and they've made a lot of money off of a lot of men by sexualizing themselves as exotic beauties. Both of them have dyed their hair blonde, straightened it, weaved it, which feeds into a fantasy about women and women of color. I come from a very different perspective, and I don't believe that anything in terms of personal gain or materialism is really helping the rest of the world. If you make that much money, instead of buying a humongous mansion, go back to your community and start community projects and talk to your legislators about changing some of the laws [that mean] young men of color who have felonies because [they dealt] drugs as teenagers can no longer integrate into society. Moving away from Beyoncé and J-Lo—I'm sure they do a lot of good deeds—I'm very lucky I have a roof over my head. I can eat healthy food, my children have coats in cold weather, they have an education. I don't think a human being needs much more beyond that.
It is the nature of all living creatures, including Homo sapiens, I believe, to adapt to a place where they may survive. If that is something we as social beings called home then home it is for my main character in The Guardians, Regina who has plunked down hard earned pennies on a cachito of terreno where she can survive, plants some vegetables to live from, etc.
according to las feministas, feminism was "a very dynamic aspect of the Chicana's heritage and not at all foreign to her nature."" Contrary to ethnographic data that portrays Chicanas as submissive followers who are solely designated to preserve the culture, the feminists did not see herself or other women of her culture as such. While the feminist dialogue remained among the activists in el Movimiento, one sees in Encuentro Femenil that there indeed existed a solid initiative toward Chicana feminist thought, that is, recognition of sexism as a primary early on as the late 1960s. Clarifying the differences between the needs of the Anglo feminist and the feministas was part of the early feminista's tasks.