I have a commitment to many of my major characters who have brown skin. That's a commitment to the story of a different character that you're not used to seeing in literature. In Julio Cortázar's work, for example, I can deal with his Latin American history, I can deal with the language, but his women have white, porcelain skin. They're Argentine, probably from a European background.
novelist, poet, essayist, short story writer
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In 2008 you don’t necessarily find an overt collective Latin@ consciousness (one for all, all for one) in all the output now seen by Latinos. This is a result of the ground broken by my generation. Now, a Latin@ writer, poet, rapper of Word or hip-hop, ‘chic-lit’ novelist does not necessarily feel it important to write from a collective Latin@ identity...Latin@ literature has moved along with the times. You have Latin@s in the limelight -”American Idol”, “Desperate Housewives”, in the White House, etc.- precisely because of the Latin@ Movement of the 70s. On the other hand, popular culture has become global and there aren’t just Latin@s out there now but other ethnic groups that once would not have been represented in the media and mainstream publishing.
“Black Dove” [“Paloma Negra”] is a mariachi song, and we Mexicans love our mariachis; we'd go celebrate Mother's Day or a birthday or something and ask for a song that brings a great deal of sentimental feeling to us individually or the table. That's how I feel with "Black Dove." In the book I explain that it's a song that my mother actually sang as I left home as a young woman. My mother was very traditional, and in her mind, the way a girl leaves home is through marriage—me going out with my little satchel was not how they imagined it. They imagined the worst, that I was going to end up in a cabaret as one of those that dances for a few fellas.
I'm fairly certain that if you study any poet of any given time, any sex, any class background, the question of searching for identity is there. It's inherent. It is a process of self-understanding, of going through life. Take Pablo Neruda, ambassador for his country, writing poetry reflecting the issues of his life. What I'm saying is that the difference between me and Neruda is that I'm not a man from a middle-class elitist background. My government is not sending me as ambassador so I can go and write poetry in some other place. What is different with women of color is that they are the very last permitted a voice. What we are hearing now is this very unique, silenced, previously censored voice.
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After extricating our imaginations from the tight reigns of patriarchal imperialism, our next step is to bring others into the fold. Quite the contrary to our so-called assimilation as "Hispanics," I firmly believe, along with many women of conscientización in the Americas, that U.S. society must eventually acculturate our mestiza vision. Our collective memories and present analyses along these lines hold the antidote to that profound sense of alienation many experience in white dominant society.