I said, “The term white backlash frames those actions as inevitable and natural, as if order is being restored after Black liberation goes ‘too far.’… - Kaitlyn Greenidge

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I said, “The term white backlash frames those actions as inevitable and natural, as if order is being restored after Black liberation goes ‘too far.’ And while I agree that white backlash inevitably follows Black freedoms, I do not think there’s anything natural or blameless about it. What if the conversation instead was framed as ‘There’s something in the construction of whiteness that demands violent supremacy, when even the glimmer of another way of being comes through, and why is that?’“ So, I thought a lot about how I was taught about white backlash in history class growing up. I don’t even think we were allowed to attach the word “white” to it. I think it was just sort of like backlash in general. It’s often framed as sort of, “Well, what do you expect people to do? Like, this is sort of like a bridge too far.” And even for myself, I think I’ve internalized that.

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About Kaitlyn Greenidge

Kaitlyn Greenidge is a writer living in the USA. She received a 2017 Whiting Award for Fiction for her debut novel, We Love You, Charlie Freeman. Her second book is a historical novel called Libertie (2021)

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("what radicalized you?") When we lived in public housing my mom started a community garden to grow food to save money and to occupy the kids that lived there and the public housing, authority came & pulled out all the plants and poured bleach into the ground to destroy it. Because gardens weren't allowed.

The question of the silent majority, I think that the demographic that that phrase is invoking exists, but I don’t think they’ve ever been silent. I think they’ve probably been pretty loud in the chorus of what people think America can or should be. But a key part, at least in there, that demographics’ identity of the last 50 years ago, since the 70s, is this idea that they are somehow on the defensive, that they’re somehow oppressed, which is super interesting. I think if there’s anything that is different about white supremacy in this moment than it has been in the past in American culture is that it’s very much invested in the idea of whiteness as victimhood and less sort of whiteness under attack, which are two slightly different things. The older version of white supremacy is whiteness under attack, but always triumphant. And this version is very much whiteness as a marginalized identity, somehow, in this country.

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Read the books that are really messy. Read the books that everybody is telling you are problematic. And actually pick a part that word. When I was teaching, the last quarter of class I had to sort of be like, “we can’t use that word to talk about books because it means absolutely nothing.”

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