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" "One of the things that guided how I was thinking about the ending was this Alice Walker quote, where she’s talking about writing The Color Purple and about what a radical act it is to give certain characters a happier, peaceful ending. I don’t know that Libertie necessarily has a happy ending, but she has an ending in which she is in a place of strength that she wasn’t necessarily before. That was really important for me, as an artistic and political choice. As I was writing the first draft, I was also teaching the Toni Morrison novel Love. I was reading a lot of her interviews around the time that book came out, and she did this really wonderful interview with Charlie Rose. He asks her about her characters being happy and she says something like, “They know something about themselves that they didn’t know before. And so in that way, they have won.” And she said, “Winning isn’t like your character gets a fancy car at the end or a big job, or gets the girl or anything like that. Winning is, they didn’t know something about themselves before and now they understand something about themselves fundamentally at the end of the narrative. And in that way, they have ‘won.’” And then she says, sort of very playfully, as she does in her interviews, she says, “I only write about winners.” So I think about that a lot when I’m writing and thinking about what sort of choices the characters make and why you may follow a character through a story and what that might look like when you’re writing.
Kaitlyn Greenidge is a writer living in the USA. She received a 2017 Whiting Award for Fiction for her debut novel, We Love You, Charlie Freeman. Her second book is a historical novel called Libertie (2021)
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One mantra of the last couple years that I’ve given myself is: we do not have time for shorthand anymore. We don’t have time to reduce things to its pithiest element. We do not have time for that because that actually sets us back so far and muddies the water so much and just messes up the actual conversation. We should be looking at works and having big, messy, and complicated discussions about them.