One mantra of the last couple years that I’ve given myself is: we do not have time for shorthand anymore. We don’t have time to reduce things to its … - Kaitlyn Greenidge

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One mantra of the last couple years that I’ve given myself is: we do not have time for shorthand anymore. We don’t have time to reduce things to its pithiest element. We do not have time for that because that actually sets us back so far and muddies the water so much and just messes up the actual conversation. We should be looking at works and having big, messy, and complicated discussions about them.

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About Kaitlyn Greenidge

Kaitlyn Greenidge is a writer living in the USA. She received a 2017 Whiting Award for Fiction for her debut novel, We Love You, Charlie Freeman. Her second book is a historical novel called Libertie (2021)

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A lot of us come to writing because we love to read books and read very widely. And if you are a Black person or a person of color or a white woman or a woman of color or a Black woman, so many of the books that you’re told to read—“You love to read, read this book”—you’re not in them. Those books could be very wonderful and formative, but I think as a creator, you have to think about, where am I actually writing to and from, and what am I going to pull from? Am I going to pull from the tradition that is not necessarily my language, but I’ve been told is the language of fiction? Or do I pull from the things that are actually around me to make stories— make meaning for myself and for the people who I want to write to?

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