I always think of writing as a physical thing. I'm not trying to generalize, it just happens to be that way with me. - Nelson Algren

" "

I always think of writing as a physical thing. I'm not trying to generalize, it just happens to be that way with me.

English
Collect this quote

About Nelson Algren

(March 28, 1909 – May 9, 1981) was an American writer. Best known for two of his novels, The Man with the Golden Arm (1949, , adapted into ) and A Walk on the Wild Side (1956, adapted into ), Algren also wrote short stories collected in The Neon Wilderness (1947), and the book-length essays Chicago: City on the Make (1951) and Nonconformity (1953/1996).

Also Known As

Alternative Names: Nelson Ahlgren Abraham

Go Premium

Support Quotewise while enjoying an ad-free experience and premium features.

View Plans

Related quotes. More quotes will automatically load as you scroll down, or you can use the load more buttons.

Additional quotes by Nelson Algren

Do American faces so often look so lost because they are most tragically trapped between a very real dread of coming alive to something more than merely existing, and an equal dread of going down to the grave without having done more than merely be comfortable? If so, this is the truly American disease. And would account in part for the fact that we lead the world today in insanity, criminality, alcoholism, narcoticism, psychoanalysm, cancer, homicide and perversion in sex as well as in perversion just for the pure hell of the thing. Never on the earth of man has he lived so tidily as here amidst such psychological disorder. Never has any people lived so hygienically while daily dousing itself with the ritual slops of guilt. Nowhere has any people set itself a moral code so rigid while applying it quite so flexibly.

Go Premium

Support Quotewise while enjoying an ad-free experience and premium features.

View Plans
I don't know many writers. [...] Well, I dunno, but I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write. I've always felt strongly that a writer shouldn't be engaged with other writers, or with people who make books, or even with people who read them. I think the farther away you get from the literary traffic, the closer you are to sources. I mean, a writer doesn't really live, he observes.

Loading...