Le temps semble s’être arrêté… Tu baisses ton profil sublime, Et nous nous penchons vers l’abîme Dans un frisson d’éternité - Henri Barbusse

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Le temps semble s’être arrêté…
Tu baisses ton profil sublime,
Et nous nous penchons vers l’abîme
Dans un frisson d’éternité

French
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About Henri Barbusse

Henri Barbusse (17 May 1873 – 30 August 1935) was a French novelist, journalist and member of the French Communist Party.

Biography information from Wikiquote

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Additional quotes by Henri Barbusse

Granted that I have the great wisdom to rid myself of the haunting dread of my own death, there remains the death of others and the death of so many feelings and so much sweetness. It is not the conception of truth that will change sorrow. Sorrow, like joy, is absolute. And yet! The infinite grandeur of our misery becomes confused with glory and almost with happiness, with cold haughty happiness. Was it out of pride or joy that I began to smile when the first white streaks of dawn turned my lamp pale and I saw I was alone in the universe?

The paralysis of cold was passing away from the knot of sufferers, though the light no longer made any progress over the great irregular marsh of the lower plain. The desolation proceeded, but not the day. Then he who spoke sorrowfully, like a bell, said. "It'll be no good telling about it, eh? They wouldn't believe you; not out of malice or through liking to pull your leg, but because they couldn't. When you say to 'em later, if you live to say it, 'We were on a night job and we got shelled and we were very nearly drowned in mud,' they'll say, 'Ah!' And p'raps they'll say. 'You didn't have a very spicy time on the job.' And that's all. No one can know it. Only us." "No, not even us, not even us!" some one cried. "That's what I say, too. We shall forget — we're forgetting already, my boy!" "We've seen too much to remember." "And everything we've seen was too much. We're not made to hold it all. It takes its damned hook in all directions. We're too little to hold it." "You're right, we shall forget! Not only the length of the big misery, which can't be calculated, as you say, ever since the beginning, but the marches that turn up the ground and turn it again, lacerating your feet and wearing out your bones under a load that seems to grow bigger in the sky, the exhaustion until you don't know your own name any more, the tramping and the inaction that grind you, the digging jobs that exceed your strength, the endless vigils when you fight against sleep and watch for an enemy who is everywhere in the night, the pillows of dung and lice — we shall forget not only those, but even the foul wounds of shells and machine-guns, the mines, the gas, and the counter-attacks. At those moments you're full of the excitement of reality, and you've some satisfaction. But all that wears off and goes away, you don't know how and you don't know where, and there's only the names left, only the words of it, like in a dispatch." "That's true what he says," remarks a man, without moving his head in its pillory of mud. When I was on leave, I found I'd already jolly well forgotten what had happened to me before. There were some letters from me that I read over again just as if they were a book I was opening. And yet in spite of that, I've forgotten also all the pain I've had in the war. We're forgetting-machines. Men are things that think a little but chiefly forget. That's what we are." "Then neither the other side nor us'll remember! So much misery all wasted!" This point of view added to the abasement of these beings on the shore of the flood, like news of a greater disaster, and humiliated them still more. "Ah, if one did remember!" cried some one. "If we remembered," said another, "there wouldn't be any more war."

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On this seat — where she came to me for the first time, which was once so important to us that it seemed as if the background of things all about us had been created by us — we sit down to-day, after we have vainly sought in nature the traces of our transit. The landscape is peaceful, simple, empty; it fills us with a great quivering. Marie is so sad and so simple that you can see her thought.
I have leaned forward, my elbows on my knees. I have contemplated the gravel at my feet; and suddenly I start, for I understand that my eyes were looking for the marks of our footsteps, in spite of the stone, in spite of the sand.
After the solemnity of a long silence, Marie's face takes on a look of defeat, and suddenly she begins to cry. The tears which fill her — for one always weeps in full, drop on to her knees. And through her sobs there fall from her wet lips words almost shapeless, but desperate and fierce, as a burst of forced laughter. "It's all over!" she cries.

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