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" "My Kelvin decides to stay on the planet without any hope whatsoever while Tarkovsky created an image where some kind of an island appears, and on that island a hut. And when I hear about the hut and the island I'm beside myself with irritation... This is just some emotional sauce into which Tarkovsky has submerged his heroes, not to mention that he has completely amputated the scientific landscape and in its place introduced so much of the weirdness I cannot stand. [...]
Stanisław Lem (12 September 1921 – 27 March 2006) was a Polish satirical, philosophical, and science fiction writer.
Biography information from Wikiquote
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Really, Tichy. Don’t be so demonic. Ours is simply a world in which more than twenty billion people live. Did you read today’s Herald? The government of Pakistan claims that in this year’s famine only 970,000 perished, while the opposition gives a figure of six million. In such a world where are you going to find Chablis, pheasants, tenderloin with sauce béarnaise? The last pheasant died a quarter of a century ago. That bird is a corpse, only excellently preserved, for we have become masters of its mummification — or rather: we have learned how to hide its death.
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The human mind is only capable of absorbing a few things at a time. We see what is taking place in front of us in the here and now, and cannot envisage simultaneously a succession of processes, no matter how integrated and complementary. Our faculties of perception are consequently limited even as regards fairly simple phenomena. The fate of a single man can be rich with significance, that of a few hundred less so, but the history of thousands and millions of men does not mean anything at all, in any adequate sense of the word. The symmetriad is a million — a billion, rather — raised to the power of N: it is incomprehensible. We pass through vast halls, each with a capacity of ten Kronecker units, and creep like so many ants clinging to the folds of breathing vaults and craning to watch the flight of soaring girders, opalescent in the glare of searchlights, and elastic domes which criss-cross and balance each other unerringly, the perfection of a moment, since everything here passes and fades. The essence of this architecture is movement synchronized towards a precise objective. We observe a fraction of the process, like hearing the vibration of a single string in an orchestra of supergiants. We know, but cannot grasp, that above and below, beyond the limits of perception or imagination, thousands and millions of simultaneous transformations are at work, interlinked like a musical score by mathematical counterpoint. It has been described as a symphony in geometry, but we lack the ears to hear it.