or that writing a poem you can read to no one is like dancing in the dark. - Ovid

"Through steep, and sheer, and inaccessible,
through difficult and through impossible
places, they track him, and he flees the hunt
he has so often led, longing to cry out
to the pack behind him, "It's me! Actaeon!
Recognize your master!" But the words
betray him and the air resounds with baying.

...torn by their teeth, he makes
a sound no man would make and no stag either,
a cry that echoes through those well-know heights;
and kneeling like a supplicant at prayer,
he turns towards them pleading with his eyes,
as a man would with his hands."

Let your mistress’s birthday be one of great terror to you:
that’s a black day when anything has to be given.
However much you avoid it, she’ll still win: it’s
a woman’s skill, to strip wealth from an ardent lover.
A loose-robed pedlar comes to your lady: she likes to buy:
and explains his prices while you’re sitting there.
She’ll ask you to look, because you know what to look for:
then kiss you: then ask you to buy her something there.
She swears that she’ll be happy with it, for years,
but she needs it now, now the price is right.
If you say you haven’t the money in the house, she’ll ask
for a note of hand – and you’re sorry you learnt to write.
Why - she asks doesn’t she for money as if it’s her birthday,
just for the cake, and how often it is her birthday, if she’s in need?
Why - she weeps doesn’t she, mournfully, for a sham loss,
that imaginary gem that fell from her pierced ear?
They many times ask for gifts, they never give in return:
you lose, and you’ll get no thanks for your loss.
And ten mouths with as many tongues wouldn’t be enough
for me to describe the wicked tricks of whores.

They come to see; they come that they themselves may be seen.