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" "It would be silly, of course, to be either 'for' or 'against' modernity tout court, not only because it is pointless to try to stop the development of technology, science, and economic rationality, but because both modernity and antimodernity may be expressed in barbarous and antihuman terms.
Leszek Kołakowski (23 October 1927 – 17 July 2009) was a Polish philosopher and historian of ideas. He is best known for his critical analyses of Marxist thought, especially his three-volume history, Main Currents of Marxism (1976). In his later work, Kolakowski increasingly focused on religious questions.
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Rosa Luxemburg is an outstanding example of a type of mind that is often met with in the history of Marxism and appears to be specially attracted by the Marxist outlook. It is characterized by slavish submission to authority, together with a belief that in that submission the values of scientific thought can be preserved. No doctrine was so well suited as Marxism to satisfy both these attitudes, or to provide a mystification combining extreme dogmatism with the cult of “scientific” thinking, in which the disciple could find mental and spiritual peace. Marxism thus played the part of a religion for the intelligentsia, which did not prevent some of them, like Rosa Luxemburg herself, from trying to improve the deposit of faith by reverting to first principles, thus strengthening their own belief that they were independent of dogma. (pp. 94-5)
Lenin’s article of 1905, “Party Organization and Party Literature”, was used for decades, and is still used, to justify ideologically the enslavement of the written word in Russia. It has been argued that it refers only to political literature, but this is not so: it relates to every kind of writing. It contains the words: “Down with non-partisan writers! Down with literary supermen! Literature must become part of the common cause of the proletariat, ‘a cog and a screw’ of one single great Social Democratic mechanism set in motion by the entire politically conscious vanguard of the entire working class” (Works, vol. 10, p. 45). For the benefit of “hysterical intellectuals” who deplore this seemingly bureaucratic attitude, Lenin explains that there can be no mechanical levelling in the field of literature; there must be room for personal initiative, imagination, etc.; none the less, literary work must be part of the party’s work and controlled by the party. This, of course, was written during the fight for “hourgeois democracy”, on the assumption that Russia would in due course enjoy freedom of speech but that literary members of the party would have to display party-mindedness in their writings; as in other cases, the obligation would become general when the party controlled the apparatus of state coercion. (pg. 515)