"Sometimes when a father has an ugly, loutish son, the love he bears him so blindfolds his eyes that he does not see his defects, or, rather, takes t… - Miguel de Cervantes

"Sometimes when a father has an ugly, loutish son, the love he bears him so blindfolds his eyes that he does not see his defects, or, rather, takes them for gifts and charms of mind and body, and talks of them to his friends as wit and grace. I, however — for though I pass for the father, I am but the stepfather to "Don Quixote" — have no desire to go with the current of custom, or to implore thee, dearest reader, almost with tears in my eyes, as others do, to pardon or excuse the defects thou wilt perceive in this child of mine. Thou art neither its kinsman nor its friend, thy soul is thine own and thy will as free as any man's, whate'er he be, thou art in thine own house and master of it as much as the king of his taxes and thou knowest the common saying, "Under my cloak I kill the king;" all which exempts and frees thee from every consideration and obligation, and thou canst say what thou wilt of the story without fear of being abused for any ill or rewarded for any good thou mayest say of it."

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About Miguel de Cervantes

Miguel de Cervantes Saavedra (29 September 1547 – 23 April 1616) was a Spanish novelist, poet and playwright. He is most famous for his novel Don Quixote, or Don Quijote de la Mancha, which is considered by many to be the first modern novel, one of the greatest works in Western literature, and the greatest of the Spanish language.

Biography information from Wikiquote

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I implore thee to tell me, if it doth not cause thee too much pain, what it is that distresseth thee, and who, what, and how many are the persons on whom I must wreak proper, complete, and entire vengeance.

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It's up to brave hearts, sir, to be patient when things are going badly, as well as being happy when they're going well ... For I've heard that what they call fortune is a flighty woman who drinks too much, and, what's more, she's blind, so she can't see what she's doing, and she doesn't know who she's knocking over or who she's raising up.

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