We are healed of a suffering only by experiencing it to the full. - Marcel Proust

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We are healed of a suffering only by experiencing it to the full.

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About Marcel Proust

Valentin Louis Georges Eugène Marcel Proust (10 July 1871 – 18 November 1922) was a French novelist, essayist and critic.

Biography information from Wikiquote

Also Known As

Alternative Names: Valentin Louis Georges Eugène Marcel Proust Proust Valentin Louis Georges Eugéne Marcel Proust Valentin-Louis-Georges-Eugéne-Marcel Proust Valentin Louis Georges Eugene Marcel Proust Valentin-Louis-Georges-Eugene-Marcel Proust Bernard d'Algouvres Valentin-Louis-Georges-Eugène-Marcel Proust

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Additional quotes by Marcel Proust

Unkindness is inspired by hatred, anger fuels it into action in which there is no great joy; it would take sadism to turn it into something pleasurable; unkind people imagine themselves to be inflicting pain on someone equally unkind.

Thanks to art, instead of seeing one world only, our own, we see that world multiply itself and we have at our disposal as many worlds as there are original artists, worlds more different one from the other than those which revolve in infinite space, worlds which, centuries after the extinction of the fire from which their light first emanated, whether it is called Rembrandt or Vermeer, send us still each one its special radiance.

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Formerly, in my attempts to isolate this talent, I deducted, so to speak, from what I heard, the part itself, a part, the common property of all the actresses who appeared as Phèdre, which I myself had studied beforehand so that I might be capable of subtracting it, of gleaming as a residuum Mme Berma’s talent alone. But this talent which I sought to discover outside the part itself was indissolubly one with it. So with a great musician (it appears that this was the case with Vinteuil when he played the piano), his playing is that of so fine a pianist that one is no longer aware that the performer is a pianist at all, because his playing has become so transparent, so imbued with what he is interpreting, that one no longer sees the performer himself — he is simply a window opening upon a great work of art.

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