I turn to the most promising example: the bird. The habit of flocking; smallness; similarity of traits; their ancient connection with the two twiligh… - Jorge Luis Borges

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I turn to the most promising example: the bird. The habit of flocking; smallness; similarity of traits; their ancient connection with the two twilights, the beginnings of days, and the endings; the fact of being more often heard than seen — all of this moves us to acknowledge the primacy of the species and the almost perfect nullity of individuals. Keats, entirely a stranger to error, could believe that the nightingale enchanting him was the same one Ruth heard amid the alien corn of Bethlehem in Judah; Stevenson posits a single bird that consumes the centuries: "the nightingale that devours time." Schopenhauer — impassioned, lucid Schopenhauer — provides a reason: the pure corporeal immediacy in which animals live, oblivious to death and memory. He then adds, not without a smile: Whoever hears me assert that the grey cat playing just now in the yard is the same one that did jumps and tricks there five hundred years ago will think whatever he likes of me, but it is a stranger form of madness to imagine that the present-day cat is fundamentally an entirely different one.

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About Jorge Luis Borges

Jorge Luis Borges (24 August 1899 – 14 June 1986) was an Argentine writer who is considered one of the foremost literary figures of the 20th century. Most famous in the English speaking world for his short stories and fictive essays, Borges was also a poet, critic, translator and man of letters.

Biography information from Wikiquote

Also Known As

Alternative Names: Jorge Francisco Isidoro Luis Borges Chorche Louis Borches Jorge Luis Borges Acevedo Horhe Luis Borhes J. L. Borges H. Bustos Domecq Khorkhe Luyis Borkhes Borges Jorge Francisco Isidoro Luis Borges Acevedo
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Razed the garden, profaned the chalices and the altars, by horse the Huns broke into the Monastic library and they tore the incomprehensible books and they vituperated them and they burnt them, fearing their symbols and characters might be concealing secret blasphemies against their God, who was an iron scimitar...

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Writing long books is a laborious and impoverishing act of foolishness: expanding in five hundred pages an idea that could be perfectly explained in a few minutes. A better procedure is to pretend that those books already exist and to offer a summary, a commentary.

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