There is some irony in the fact that children imagine that parents can do what they want, and parents imagine that children do. "When I grow up..." p… - Shulamith Firestone

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There is some irony in the fact that children imagine that parents can do what they want, and parents imagine that children do. "When I grow up..." parallels "Oh to be a child again..."

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About Shulamith Firestone

Shulamith Bath Shmuel Ben Ari Firestone (born Feuerstein; January 7, 1945 – August 28, 2012) was a Canadian-American radical feminist writer and activist. Firestone was involved in the early development of second-wave feminism and a founding member of three radical-feminist groups: , , and . In September 1970, Firestone's The Dialectic of Sex: The Case for Feminist Revolution was published and became an influential feminist text.

Also Known As

Birth Name: Shulamith Bath Shmuel Ben Ari Feuerstein
Alternative Names: Shulie Shulamith Bath Shmuel Ben Ari Firestone
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Additional quotes by Shulamith Firestone

Women and children are always mentioned in the same breath ("Women and children to the forts!"). The special tie women have with children is recognized by everyone. I submit, however, that the nature of this bond is no more than shared oppression. And that moreover this oppression i intertwined and mutually reinforcing in such complex ways that we will be an able to speak of the liberation of women without also discussing the liberation of children, and since versa. The heart of woman's oppressing is her childbearing and childrearing roles. And in turn children are defined in relation to this role and are psychologically formed by it; what they become as adults and the sorts of relationships they are able to form determine the society they will ultimately built.

The first attempts to confront the modern world have been for the most part misguided. The , a famous example, failed at its objective of replacing an irrelevant easel art (only a few optical illusions and designy chairs mark the grave), ending up with a hybrid, neither art nor science, and certainly not the sum of the two. They failed because they didn’t understand science on its own terms: to them, seeing in the old aesthetic way, it was simply a rich new subject matter to be digested whole into the traditional aesthetic system. It is as if one were to see a computer as only a beautifully ordered set of lights and sounds, missing completely the function itself. The scientific experiment is not only beautiful, an elegant structure, another piece of an abstract puzzle, something to be used in the next collage – but scientists, too, in their own way, see science as this abstraction divorced from life – it has a real intrinsic meaning of its own, similar to, but not the same as, the ‘presence’, the ‘en-soi’, of modern painting. Many artists have made the mistake of thus trying to annex science, to incorporate it into their own artistic framework, rather than using it to expand that framework.

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Contemporary slang reflects this animal state: children are "mice," "rabbits," "kittens," women are called "chicks," (in England( "birds," "hens," "dumb clucks," "silly geese," "old mares," "bitches." Similar terminology is used about males as a defamation of character, or more broadly only about pressed males males: stud, wold, cat, stag, jack - and then it is used much more rarely, and often with a specifically sexual connotation.

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