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" "I like to take my glasses off and look out into the distance. Everything goes hazy, as in a dream, or like a zoetrope—it's wonderful. I can't see anything that's dirty. Only big things—vivid intense colors and light are all that enters my vision. I also like to take my glasses off and look at people. The faces around me, all of them, seem kind and pretty and smiling. What's more, when my glasses are off, I don't ever think about arguing with anyone at all, nor do I feel the need to make snide remarks. All I do is just blankly stare in silence. During those moments, thinking that I must look like a nice young miss to everyone else, I don't worry about the gawking, I just want to bask in their attention, and I feel really and truly mellow.
But actually glasses are the worst. Any sense of your face disappears when you put them on. Glasses obstruct whatever emotions that might appear on your face—passion, grace, fury, weakness, innocence, sorrow. And it's curious how it becomes impossible to try to communicate with your eyes. Glasses are like a ghost. The reason I hate glasses so much is because I think the beauty of your eyes is the best thing about people.
Shūji Tsushima (津島 修治) known by his pen name Osamu Dazai (太宰 治), (June 19, 1909 – June 13, 1948) was a Japanese author who is considered one of the foremost fiction writers of 20th-century Japan. A number of his most popular works, such as The Setting Sun (斜陽, Shayō) and No Longer Human (人間失格, Ningen Shikkaku), are considered modern-day classics in Japan. No Longer Human (his last finished book) is his most popular work outside Japan. With a semi-autobiographical style and transparency into his personal life, Dazai’s stories have intrigued the minds of many readers. His books also bring about awareness to a number of important topics such as human nature, mental illness, social relationships, and postwar Japan. He attempted suicide several times throughout his life and finally died in a suicide pact with a woman named Tomie Yamazaki (山崎富栄).
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One of my tragic flaws is the compulsion to add some sort of embellishment to every situation—a quality which has made people call me at times a liar—but I have almost never embellished in order to bring myself any advantage; it was rather that I had a strangulating fear of that cataclysmic change in the atmosphere the instant the flow of a conversation flagged, and even when I knew that it would later turn to my disadvantage, I frequently felt obliged to add, almost inadvertently, my word of embellishment, out of a desire to please born of my usual desperate mania for service. This may have been a twisted form of my weakness, an idiocy, but the habit it engendered was taken full advantage of by the so-called honest citizens of the world.
They were happy, the two of them. I'd been a fool to come between them. I might destroy them both if I were not careful. A humble happiness. A good mother and child. God, I thought, if you listen to the prayers of people like myself, grant me happiness once, only once in my whole lifetime will be enough! Hear my prayer!
They say that love flies out the window when poverty comes in the door, but people generally get the sense backwards. It doesn’t mean that when a man’s money runs out he’s shaken off by women. When he runs out of money, he naturally is in the dumps. He’s no good for anything. The strength goes out of his laugh, he becomes strangely soured. Finally, in desperation, he shakes off the woman.