In this painting ['Moscow'], I was in fact in quest for a certain hour, which was and which remains always the most beautiful hour of the day in Mosc… - Wassily Kandinsky

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In this painting ['Moscow'], I was in fact in quest for a certain hour, which was and which remains always the most beautiful hour of the day in Moscow. The sun is already low and has reached its highest force, which it has searched all the day, to which it has aspired all the day.. .The sun dissolves all Moscow in a spot, which as a frenzied tuba makes entered into vibration all the inner being, the whole soul.. .Rendering this hour seemed the biggest, the most impossible of the happiness for an artist. These impressions renewed every sunny day. They brought me a joy which shattered me until the bottom of the soul, and which reached until ecstasy.

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About Wassily Kandinsky

Wassily Wassilyevich Kandinsky (December 4 or 16, 1866 - December 13, 1944) — was a Russian painter and art theorist and one of the leading figures in Blaue Reiter. One of the most important 20th-century artists, he is credited with painting the first modern abstract art works.

Also Known As

Alternative Names: Wassily Wassiljewitsch Kandinsky Vasili Vasilevich Kandinsky Vasilii Vasilevich Kandinskii Vasily Vasil'yevich Kandinsky Vasilij Kandinski Vasilij Vasil'evic Kandinskij Vasily Kandinsky Vasilij Kandinskij Vasily. Kandinsky Vasilij Vasil'evič Kandinskij Wassili Kandinsky Wassily Wassilyevich Kandinsky Vasili Vasileevich Kandinsky Vasilĭi Vasilʹevich Kandinskĭi Vasilij Vasilijevitch Kandynski Wassily Kandinski Basile W. Kandinsky Wahsili Kang-ting-ssu-chi Vassily Kandinsky Kandinsky w. kandinsky Vasili Vasil'evich Kandinski
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Additional quotes by Wassily Kandinsky

Every work of art is the child of its age and, in many cases, the mother of our emotions. It follows that each period of culture produces an art of its own which can never be repeated. Efforts to revive the art-principles of the past will at best produce an art that is still-born. It is impossible for us to live and feel, as did the ancient Greeks. In the same way those who strive to follow the Greek methods in sculpture achieve only a similarity of form, the work remaining soulless for all time. Such imitation is mere aping. Externally the monkey completely resembles a human being; he will sit holding a book in front of his nose, and turn over the pages with a thoughtful aspect, but his actions have for him no real meaning.

Each spiritual age expresses its special character in a form which corresponds exactly to its character. Each age in this way characterizes its true 'physiognomy', full of expression and strength. Thus in all spiritual areas 'yesterday' is transformed into 'today'. But apart from this, art possesses a further quality which it alone possesses: that quality which enables one to divine the 'tomorrow' today – a strength which is both creative and prophetic.

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