To stand up for truth is nothing. For truth, you must sit in jail. - Aleksandr Solzhenitsyn

Orthodox churches were stripped of their valuables in 1922 at the instigation of Lenin and Trotsky. In subsequent years, including both the Stalin and the Khrushchev periods, tens of thousands of churches were torn down or desecrated, leaving behind a disfigured wasteland that bore no resemblance to Russia such as it had stood for centuries. Entire districts and cities of half a million inhabitants were left without a single church. Our people were condemned to live in this dark and mute wilderness for decades, groping their way to God and keeping to this course by trial and error. The grip of oppression that we have lived under, and continue to live under, has been so great that religion, instead of leading to a free blossoming of the spirit, has been manifested in asserting the faith on the brink of destruction, or else on the seductive frontiers of Marxist rhetoric, where so many souls have come to grief.

It is almost always impossible to evaluate at the time events which you have already experienced, and to understand their meaning with the guidance of their effects. All the more unpredictable and surprising to us will be the course of future events.

One artist sees himself as the creator of an independent spiritual world; he hoists onto his shoulders the task of creating this world, of peopling it and of bearing the all-embracing responsibility for it; but he crumples beneath it, for a mortal genius is not capable of bearing such a burden. Just as man in general, having declared himself the centre of existence, has not succeeded in creating a balanced spiritual system. And if misfortune overtakes him, he casts the blame upon the age-long disharmony of the world, upon the complexity of today's ruptured soul, or upon the stupidity of the public. Another artist, recognizing a higher power above, gladly works as a humble apprentice beneath God's heaven; then, however, his responsbility for everything that is written or drawn, for the souls which perceive his work, is more exacting than ever. But, in return, it is not he who has created this world, not he who directs it, there is no doubt as to its foundations; the artist has merely to be more keenly aware than others of the harmony of the world, of the beauty and ugliness of the human contribution to it, and to communicate this acutely to his fellow-men. And in misfortune, and even at the depths of existence — in destitution, in prison, in sickness — his sense of stable harmony never deserts him. But all the irrationality of art, its dazzling turns, its unpredictable discoveries, its shattering influence on human beings — they are too full of magic to be exhausted by this artist's vision of the world, by his artistic conception or by the work of his unworthy fingers.