The perceived conflict between class and cultural politics arises not because they are intrinsically incompatible but because majoritarian leftists h… - Ellen Willis

The public's continuing ambivalence about cultural matters is all the more striking given that the political conversation on these issues has for 30 years been dominated by an aggressive, radical right-wing insurgency that has achieved an influence far out of proportion to its numbers. Its potent secret weapon has been the guilt and anxiety about desire that inform the character of Americans regardless of ideology; appealing to those largely unconscious emotions, the right has disarmed, intimidated, paralyzed its opposition.

There were secularists, democrats, liberals, and feminists in Iran before Khomeini killed or exiled them; there are secularists, democrats, liberals, and feminists in other Islamic countries; and there are immigrants like Salman Rushdie, who have voted with their feet for a freer life. Are they all tools of Western imperialism, poisoned by Satan, as the ayatollah would say? (“In Defense of Offense”)

The notion that there might be any need for, or possibility of, profound changes in the institutions that shape American life work, family, technology, the primacy of the car and the single-family house — is foreign to the mainstream media that define our common sense. And so conflicts that cannot be addressed politically have expressed themselves by other means. From public psychodramas like the O. J. Simpson trial, the Lewinsky scandal and Columbine to disaster movies, talk shows and "reality TV," popular culture carries the burden of our emotions about race, feminism, sexual morality, youth culture, wealth, competition, exclusion, a physical and social environment that feels out of control.