[Sheltering the shah and his family] was completely out of [President Sadat's] friendship and good human nature as he had no personal gain from it. E… - Farah Pahlavi

The people of Tehran, from whom I came, were giving me their trust, adopting me, honoring me, although I had done nothing yet either for them or for Iran. I felt so moved and overcome that I promised myself I would do everything in mypower for these men and women, and for the children I could see perched everywhere.

I came and knelt at the king's feet, and when he put the crown on my head, I felt that he had just honoured all the women of Iran. Only four years earlier we had been in the same category of the mentally handicapped: we did not even have the basic right of choosing our representatives. The crown wiped out centuries of humiliation; more surely than any law, it solemnly affirmed the equality of men and women.

I follow the works of Iranian artists even now, sometimes in Paris or in New York and I am happy Iranian artists are still great. Whether they are men or women, they have always been great. Despite all the pressure and censorship inside the country, they haven't been able to stop the creativity of our artists. Some have to work underground, like in cinema, and sometimes their work has political messages, but the number of our artists now has definitely grown in comparison to the past.