I've always figured the only way I could finish a book and get a plot was just to keep making it longer and longer until something happens – you know… - Nelson Algren

I am the penny whistle of American literature.

[About whether critics have influenced his work:] None could have, because I don't read them. I doubt anyone does, except other critics. It seems like a sealed-off field with its own lieutenants, pretty much preoccupied with its own intrigues. I got a glimpse into the uses of a certain kind of criticism this past summer at a writers' conference – into how the avocation of assessing the failures of better men can be turned into a comfortable livelihood, providing you back it up with a Ph.D. I saw how it was possible to gain a chair of literature on no qualification other than persistence in nipping the heels of Hemingway, Faulkner, and Steinbeck. I know, of course, that there are true critics, one or two. For the rest all I can say is, “Deal around me.”

A writer who knows what he is doing isn't doing very much.