In this light the God who appears to me is the comforter of the poor and their avenger in world history. This avenger of the poor is the God I love. - Hermann Cohen

If I love God, I don't in this way pantheistically love the universe, or the animals, trees and shrubs as my fellow created beings, but rather I love in God precisely the Father of Humanity. And this higher meaning, this social significance, always has its terminus in God the Father. He is not so much the creator and author, but much more the protector and comforter of the poor.

Wherever rights are denied the poor, the prophetic anger is turned not merely against the incumbent rulers but equally against the means society employs to gloss over its own mendacity. And foremost among these means is art. Catering to luxury and emphasizing only the beautiful, art denies the fact that wretchedness and destitution have a tight grip on the poor. This is the reason why the prophetic zeal turned against art, and not merely against the luxury of women and the pretentiousness of the rich.

An dem Armen geht mir der Mensch auf. Daher kann ich den Menschen nicht denken ohne das Mitleid mit ihm, ohne die Liebe zu ihm. Nicht das Universum, aber das sittliche Universum, das soziale Dasein der Menschen muß ich denken und lieben, wenn mein Denken Gottes: Liebe heißen darf.