Myōe exchanged poems with Saigyo and the two discussed poetry together. The following is from the biography of Myoe by his disciple Kikai: "Saigyo fr… - Yasunari Kawabata

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Myōe exchanged poems with Saigyo and the two discussed poetry together. The following is from the biography of Myoe by his disciple Kikai: "Saigyo frequently came and talked of poetry. His own attitude towards poetry, he said, was far from the ordinary. Cherry blossoms, the cuckoo, the moon, snow: confronted with all the manifold forms of nature, his eyes and his ears were filled with emptiness. And were not all the words that came forth true words? When he sang of the blossoms the blossoms were not on his mind, when he sang of the moon he did not think of the moon. As the occasion presented itself, as the urge arose, he wrote poetry. The red rainbow across the sky was as the sky taking on color. The white sunlight was as the sky growing bright. Yet the empty sky, by its nature, was not something to become bright. It was not something to take on color. With a spirit like the empty sky he gives color to all the manifold scenes but not a trace remained. In such poetry was the Buddha, the manifestation of the ultimate truth." Here we have the emptiness, the nothingness, of the Orient. My own works have been described as works of emptiness, but it is not to be taken for the nihilism of the West. The spiritual foundation would seem to be quite different. Dogen entitled his poem about the seasons, "Innate Reality", and even as he sang of the beauty of the seasons he was deeply immersed in Zen.

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About Yasunari Kawabata

Yasunari Kawabata [川端 康成 Kawabata Yasunari] (14 June 1899 – 16 April 1972) was a Japanese short story writer and novelist known for his spare, lyrical, and subtly-shaded prose. In 1968 he became the first Japanese writer to receive the Nobel Prize for Literature.

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Also Known As

Native Name: 川端 康成
Alternative Names: Kawabata Yasunari KAWABATA Yasunari
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Quiero que nos abramos paso a través de nuestro destino y que flotemos sobre las aguas. El mañana siempre se nos escapa.

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Ryokan, who shook off the modern vulgarity of his day, who was immersed in the elegance of earlier centuries, and whose poetry and calligraphy are much admired in Japan today — he lived in the spirit of these poems, a wanderer down country paths, a grass hut for shelter, rags for clothes, farmers to talk to. The profundity of religion and literature was not, for him, in the abstruse. He rather pursued literature and belief in the benign spirit summarized in the Buddhist phrase "a smiling face and gentle words". In his last poem he offered nothing as a legacy. He but hoped that after his death nature would remain beautiful. That could be his bequest.

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