Obositul ins Cineva rupea din el cîte puțintel. L-a lăsat decolorat și cutremurat, Mirat s-a pipăit dar nu s-a regăsit. Din el o forța rea crește… - Eugène Ionesco

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Obositul ins

Cineva rupea din el
cîte puțintel.

L-a lăsat decolorat
și cutremurat,

Mirat s-a pipăit
dar nu s-a regăsit.

Din el o forța rea
creștea și-l cuprindea.

Obositul ins
se lăsă cuprins.

Romanian
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About Eugène Ionesco

Eugène Ionesco (26 November 1909 – 29 March 1994), born Eugen Ionescu, was a Romanian playwright and dramatist, one of the foremost playwrights of Theatre of the Absurd.

Biography information from Wikiquote

Also Known As

Native Name: Eugen Ionescu
Alternative Names: Ionesco Eugen Ionesco Eugene Ionesco
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Additional quotes by Eugène Ionesco

I let characters and symbols emerge from me, as if I were dreaming. I always use what remains of my dreams of the night before. Dreams are reality at its most profound, and what you invent is truth because invention, by its nature, can’t be a lie. Writers who try to prove something are unattractive to me, because there is nothing to prove and everything to imagine. So I let words and images emerge from within. If you do that, you might prove something in the process.

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BERENGER: And you consider all this natural?

DUDARD: What could be more natural than a rhinoceros?

BERENGER: Yes, but for a man to turn into a rhinoceros is abnormal beyond question.

DUDARD: Well, of course, that's a matter of opinion ...

BERENGER: It is beyond question, absolutely beyond question!

DUDARD: You seem very sure of yourself. Who can say where the normal stops and the abnormal begins? Can you personally define these conceptions of normality and abnormality? Nobody has solved this problem yet, either medically or philosophically. You ought to know that.

BERENGER: The problem may not be resolved philosophically — but in practice it's simple. They may prove there's no such thing as movement ... and then you start walking ... [he starts walking up and down the room] ... and you go on walking, and you say to yourself, like Galileo, 'E pur si muove' ...

DUDARD: You're getting things all mixed up! Don't confuse the issue. In Galileo's case it was the opposite: theoretic and scientific thought proving itself superior to mass opinion and dogmatism.

BERENGER: [quite lost] What does all that mean? Mass opinion, dogmatism — they're just words! I may be mixing everything up in my head but you're losing yours. You don't know what's normal and what isn't any more. I couldn't care less about Galileo ... I don't give a damn about Galileo.

DUDARD: You brought him up in the first place and raised the whole question, saying that practice always had the last word. Maybe it does, but only when it proceeds from theory! The history of thought and science proves that.

BERENGER: [more and more furious] It doesn't prove anything of the sort! It's all gibberish, utter lunacy!

DUDARD: There again we need to define exactly what we mean by lunacy ...

BERENGER: Lunacy is lunacy and that's all there is to it! Everybody knows what lunacy is. And what about the rhinoceroses — are they practice or are they theory?

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