Wherever the poetry of myth is interpreted as biography, history, or science, it is killed. The living images become only remote facts of a distant t… - Joseph Campbell

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Wherever the poetry of myth is interpreted as biography, history, or science, it is killed. The living images become only remote facts of a distant time or sky. Furthermore, it is never difficult to demonstrate that as science and history mythology is absurd. When a civilization begins to reinterpret its mythology in this way, the life goes out of it, temples become museums, and the link between the two perspectives is dissolved. Such a blight has certainly descended on the Bible and on a great part of the Christian cult.

To bring the images back to life, one has to seek, not interesting applications to modern affairs, but illuminating hints from the inspired past. When these are found, vast areas of half-dead iconography disclose again their permanently human meaning.

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About Joseph Campbell

Joseph Campbell (26 March 1904 – 30 October 1987) was an American professor, writer, and orator most famous for his work in the fields of comparative mythology and comparative religion.

Biography information from Wikiquote

Also Known As

Birth Name: Joseph John Campbell Smith
Alternative Names: Joseph John Campbell Joseph Cambell
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The mystical marriage with the queen goddess of the world represents the hero's total mastery of life ; for the woman is life, the hero its knower and master. And the testings of the hero, which were preliminary to his ultimate experience and deed, were symbolical of those crises of realization by means of which his consciousness came to be amplified and made capable of enduring the full posession of the mother-destroyer, his inevitable bride. With that he knows that he and the father are one: he is in the father's place.
Thus phrased, in the extremest of terms, the problem may sound remote from the affairs of normal humans. Nevertheless, every failure to cope with life situations must be laid to a restriction of consciousness. Wars and temper tantrums are the makeshifts of ignorance; regrets are illuminations come too late. The whole sense of the ubiquitous myth of the hero's passage is that it shall serve as a general patter for men and women, wherever they may stand along the scale. therefore, it is formulated in the broadest terms. the individual has only to discover his own position with reference to this general human formula, and let it then assist him past his restricting walls. who and where are his ogres? those are the reflcetions of the unsolved enigmas of his own humanity. what are his ideals? those are the symptoms of his grasp of life.

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The hero whose attachment to ego is already annihilate passes back and forth across the horizons of the world, in and out of the dragon, as readily as a king through all the rooms of his house. And therein lies his power to save; for his passing and returning demonstrate that through all the contraries of phenomenality the Un-create- Imperishable remains, and there is nothing to fear (93).

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