You have a very strange face," she said. "You're not really ugly." "Number four shipping clerk, working his way up." "Have you ever been in love?" "Love is for real people." "You sound real." "I dislike real people." "You dislike them?" "I hate them." We drank some more, not saying much. It continued to snow. Gertrude turned her head and stared into the crowd of people. Then she looked at me. "Isn't he handsome?" "Who?" "That soldier over there. He's sitting alone. He sits so straight. And he's got all his medals on." "Come on, let's get out of here.
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Abjuring love? Real people don't do that. Now you're the one who sounds like someone on a stage. That's not the real world. Real people follow their hearts, wherever it takes them. Real people refuse to be put into a little tiny box. You can say you love me or you don't love me, it doesn't matter; I know you have foresworn nothing except an existence you found intolerable."
She really did smile this time. "Now you're making me sound like a heroine. Be honest, Lucius. For all that you go on about the real world with its real people, you don't really want to live in it, either."
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The doctor rubbed his spectacles and opened his snuff-box with a great noise, as the young girl made the light repast, which soon brought the color to her cheek again, or, at least, the usual color, for her face was, ordinarily, very pale. Large eyes, grave and gentle, gray rather than blue, shadowed by lashes as black as her hair, made her face singular and striking. Yet, in spite of this singularity, in spite of her paleness, the delicacy of her features, and her slender figure with its willowy grace, if one wished to describe in two words the general impression produced by the aspect of Fleurange d'Yves, one would have chosen these: simplicity and strength.
It is the reflection of my face. Often in these lost days I study it: I can understand nothing of this face. The faces of others have some sense, some direction. Not mine. I cannot even decide whether it is handsome or ugly. I think it is ugly because I have been told so. But it doesn't strike me. At heart, I am even shocked that anyone can attribute qualities of this kind to it, as if you called a clod of earth or a block of stone beautiful or ugly.
"Oh, it is true enough. I may as well be hung for a sheep as a lamb (an old country saying, not of much account, but it will do for a rough soldier), and so I will speak my mind, regardless of your pleasure, and without hoping or intending to get your pardon. Why, Miss Everdene, it is in this manner that your good looks may do more harm than good in the world." The sergeant looked down the mead in critical abstraction. "Probably some one man on an average falls in love with each ordinary woman. She can marry him: he is content, and leads a useful life. Such women as you a hundred men always covet — your eyes will bewitch scores on scores into an unavailing fancy for you — you can only marry one of that many. Out of these say twenty will endeavour to drown the bitterness of despised love in drink; twenty more will mope away their lives without a wish or attempt to make a mark in he world, because they have no ambition apart from their attachment to you; twenty more — the susceptible person myself possibly among them — will be always draggling after you, getting where they may just see you, doing desperate things. Men are such constant fools! The rest may try to get over their passion with more or less success. But all these men will be saddened. And not only those ninety-nine men, but the ninety-nine women they might have married are saddened with them. There's my tale. That's why I say that a woman so charming as yourself, Miss Everdene, is hardly a blessing to her race."
It is the reflection of my face. Often in these lost days I study it. I can understand nothing of this face. The faces of others have some sense, some direction. Not mine. I cannot even decide whether it is handsome or ugly. I think it is ugly because I have been told so. But it doesn't strike me. At heart, I am even shocked that anyone can attribute qualities of this kind to it, as if you called a clod of earth or a block of stone beautiful or ugly.
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I get up. There is a white hole in the wall, a mirror. It is a trap. I know I am going to let myself be caught in it. I have. The grey thing appears in the mirror. I go over and look at it, I can no longer get away. It is the reflection of my face. Often in these lost days I study it. I can understand nothing of this face. The faces of others have some sense, some direction. Not mine. I cannot even decide whether it is handsome or ugly. I think it is ugly because I have been told so. But it doesn't strike me. At heart, I am even shocked that anyone can attribute qualities of this kind to it, as if you called a clod of earth or a block of stone beautiful or ugly.
He looked up startled, and saw in her face that which gave him a view into a strange new world. He had thought that women blushed when they talked of love, but her eyes were as grave and candid as a boy's. Here was one who had gone through waters so deep that she had lost the foibles of sex. Love to her was only a word of ill omen, a threat on the lips of brutes, an extra battalion of peril in an army of perplexities.
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