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" "If we don’t like the structure of our present is, if we think the books by African writers coming out of the western publishing establishments do not speak to the fullness and totality of the reality we see around us or how we want to appear now and into the future, we have a responsibility in the present for the sake of tomorrow to flip the script and create our own publishing infrastructure across the continent that is more than the skeletal ones that we currently subsist on and over-celebrate.
Bibi Bakare-Yusuf Hon. FRSL (born 1970) is a Nigerian academic, writer and editor from Lagos, Nigeria. She is the co-founder of the publishing company Cassava Republic Press in 2006 in Abuja. Bakare-Yusuf was elected an Honorary Fellow of the Royal Society of Literature in 2019, as well as having been selected as a Yale World Fellow, a Desmond Tutu Fellow and a Frankfurt Book Fair Fellow.
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When we understand the archive in these relational terms, we’ll then begin to see that there is a fundamental problem and an ontological injustice in our complicitous silence and tacit acceptance of English or any of the European languages as the inevitable medium to transmit African writing across our linguistic differences. Perhaps then we can begin to have a sense of urgency and deliberateness about how we narrate and share our stories with the world and the urgency to produce loads and loads of data about how we see and imagine the world that is opening itself to us.
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If we do not start the deliberate project of infusing our vision of the world now with what we want to see, if do not start publishing in vast quantities, what future beings will find in the archive about Africa and by Africans will be yet more emptiness and silence no different to the emptied bookshelves in those Lagos homes I visited. As with our generation, they will have only recourse to the meticulous and avaricious archiving of colonial records at the British library or what HarperCollins or Penguin Random House tells us African writers are writing and thinking today or what the Makerere generation left us with. What an impoverished archive that will be!