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" ".In the beginning I was struggling very much with [painting] children, for that painting by Br. [probably, Henk Bremmer?]. It has an almost square format. The woman must look to the right [and] there must be a child with her.. .But I painted only a few children with mothers, and recent times not at all; and then that size (square), I don't know how to handle it. I now think to come back to The Hague Sunday afternoon [and] to leave Heeze early. Monday here is another holy Day [catholic region]. So I can not work then.. (translation from original Dutch, Fons Heijnsbroek, 2018)
Suze Bisschop-Robertson (The Hague 17 December 1855 – The Hague, 18 October 1922) was a Dutch painter. She left Dutch Impressionism of those day because of painting rather impasto and giving away depth in her images.
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What a struggle I had to make on that ['Mother and Child']. You would say, a nice assignment to make something good out of it, isn't it. I myself thought it that way. So I went to Heeze, I made a mass of studies of women with children, came back with the sketches to my studio.. .Oh, what an obsession..
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Yes, there was a lot of fuss about it, then [c. 1879-80].. .. [that] I also was permitted to enter the nude class [c. at the Art Academy in Rotterdam, evening classes!] .. that was never done before me by other ladies. I was the first who claimed it. And even in a local newspaper they cried shame about it: a young woman who painted nude model. And moreover.. a teacher with so many girls under her guidance. [at the Dutch Highschool]