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" "Not only does the messenger who is also a slave subordinate his own will to that of his Lord; there is nothing in his mind or in his memory that could obstruct the free passage of the revelation. Muhammad is 'abd and rasul; he is also nabi al-ummi, the unlettered Prophet; a blank page set before the divine pen. On this page there is no mark made by any other pen, no trace of profane or indirect knowledge. A prophet does not borrow knowledge from the human store, nor is he a man who learns in the slow human way and then transmits his learning. His knowledge derives from a direct intervention of the Divine in the human order, a tajalli, or pouring out of the truth upon a being providentially disposed to receive it and strong enough to transmit it.
Charles le Gai Eaton (also known as Hasan le Gai Eaton or Hassan Abdul Hakeem; 1 January 1921 – 2010) was a British diplomat, writer, historian, and an Islamic scholar.
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It is clear that if we are to fulfill our true function, we must first identify and then become our true selves; the man alienated from his own centre is alienated from all things, not only a stranger to himself but also a stranger in the universe. Yet he cannot find the centre nor can he ‘become himself’ without help. For the Muslim, the Prophet not only shows us the way to the centre but, in a certain sense, is himself the way, since it is by taking him as our model, or by entering into the mound of his personality, that we are best able to travel to our destination. Action which springs from our own true centre - ‘without external cause’, as the dictionary has it - is the only truly ‘spontaneous action, and it is therefore in imitating him that we achieve spontaneity.
Everything becomes a blur when you travel beyond a certain speed. Distant objects may still be clear in outline, but the blurred foreground makes it impossible to attend to them. This landscape is unreal and the passengers in the express train turn to their books, their thoughts or their private fantasies.
The subjectivism of our age has a good deal to do with this imprisonment in a speeding vehicle, and the fact that we made this vehicle ourselves, with all the tireless care that children give to a contrivance of wood and wire, does not save us from the sense of being trapped without hope of escape.
A further effect of such vertiginous speed is a kind of anaesthesia, entirely natural when the operation of the senses by which we normally make contact with our environment is suspended. With no opportunity to assimilate what is going on, our powers of assimilation are inevitably weakened and certain numbness sets in; nothing is fully savoured and nothing is properly understood. Even fear (which exists to forewarn us of danger) is suspended. This would be so even if speed of change were the only factor involved, but the kind of environment in which a large part of humanity lives today — - the environment created by technology at the service of immediate, short-term needs – does much to intensify this effect. Outside of works of art which embody something beyond our physical needs, our own constructions bore us. Those who, when they have built something and admired the finished product for a decent moment, are ready to pull it down and start on something new have good sense on their side.
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Those who know in their hearts that they are not really necessary — and are entirely replaceable — must inevitably be tempted to misrepresent the nature of their work and build up a false notion of its importance. A further alienation from truth takes place, a further loss of contact with reality. And one thing we can be sure of is that self-deception, whether on the level of the wind and the rain or on that of spiritual reality, must always come up against the real sooner or later, and that its destruction is very painful.