Look at Goethe, at Lamartine and at many others! To depict feelings on this high plane, you must give up the process of minute and insignificant obse… - Paul Bourget

I had to take the necessary steps to prevent this alleged suicide from getting known, to see the commissary of police and the "doctor of the dead." I had to preside at the funeral ceremonies, to receive the guests and act as chief mourner. And always, always, he was present to me, with the dagger in his breast, writing the lines that had saved me, and looking at me, while his lips moved. Ah, begone, begone, abhorred phantom! Yes! I have done it; yes! I have killed you; yes! it was just. You know well that it was just. Why are you still here now? Ah! I will live; I will forget. If I could only cease to think of you for one day, only one day, just to breathe, and walk, and see the sky, without your image returning to haunt my poor head which is racked by this hallucination, and troubled? My God! have pity on me. I did not ask for this dreadful fate; it is Thou that hast sent it to me. Why dost Thou punish me? Oh, my God, have pity on me!

I had a friend, a companion of my own age, who, when he was twenty, had loved a young girl. He was poor, she was rich. Her family separated them. The girl married some one else and almost immediately afterward she died. My friend lived. Some day you will know for yourself that it is almost as true to say that one recovers from all things as that there is nothing which does not leave its scar. I had been the confidant of his serious passion, and I became the confidant of the various affairs that followed that first ineffaceable disappointment. He felt, he inspired, other loves. He tasted other joys. He endured other sorrows, and yet when we were alone and when we touched upon those confidences that come from the heart's depths, the girl who was the ideal of his twentieth year reappeared in his words. How many times he has said to me, "In others I have always looked for her and as I have never found her, I have never truly loved any one but her."

I scribbled four pages which would have been no disgrace to the Journal des Goncourts, that exquisite manual of the perfect reporter. It was all there, my journey, my arrival at the chateau, a sketch of the quaint eighteenth century building, with its fringe of trees and its well-kept walks, the master's room, the master himself and his conversation; the tea at the end and the smile of the old novelist in the midst of a circle of admirers, old and young. It lacked only a few closing lines. "I will add these in the morning," I thought, and went to bed with a feeling of duty performed, such is the nature of a writer. Under the form of an interview I had done, and I knew it, the best work of my life. What happens while we sleep? Is there, unknown to us, a secret and irresistible ferment of ideas while our senses are closed to the impressions of the outside world? Certain it is that on awakening I am apt to find myself in a state of mind very different from that in which I went to sleep. I had not been awake ten minutes before the image of Pierre Fauchery came up before me, and at the same time the thought that I had taken a base advantage of the kindness of his reception of me became quite unbearable. I felt a passionate longing to see him again, to ask his pardon for my deception. I wished to tell him who I was, with what purpose I had gone to him and that I regretted it. But there was no need of a confession. It would be enough to destroy the pages I had written the night before. With this idea I arose. Before tearing them up, I reread them. And then — any writer will understand me — and then they seemed to me so brilliant that I did not tear them up. Fauchery is so intelligent, so generous, was the thought that crossed my mind. What is there in this interview, after all, to offend him? Nothing, absolutely nothing. Even if I should go to him again this very morning, tell him my story and that upon the success of my little inquiry my whole future as a journalist might depend? When he found that I had had five years of poverty and hard work without accomplishing anything, and that I had had to go onto a paper in order to earn the very bread I ate, he would pardon me, he would pity me and he would say, "Publish your interview." Yes, but what if he should forbid my publishing it? But no, he would not do that.