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In its most archaic sense, theatre is the capacity possessed by human beings—and not by animals—to observe themselves in action. Humans are capable of seeing themselves in the act of seeing, of thinking their emotions, of being moved by their thoughts. They can see themselves here and imagine themselves there; they can see themselves today and imagine themselves tomorrow. This is why humans are able to identify (themselves and others) and not merely to recognise.

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Theatre has nothing to do with buildings or other physical constructions. Theatre — or theatricality — is the capacity, this human property which allows man to observe himself in action, in activity. The self-knowledge thus acquired allows him to be the subject (the one who observes) of another subject (the one who acts). It allows him to imagine variations of his action, to study alternatives. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.

It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.

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All life is theatre," he said. "We are all actors, you and I, in a play which nobody wrote and which nobody will see. We have no audience but ourselves...." He laughed gently. "Some players would say that is the best kind of theatre there can be.

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In our play we reveal what kind of people we are

It’s like a fairy tale…[Fairy tales] give you a context in which to talk about some things that you’re experiencing in your day-to-day. Theatre works in the same way—if it’s good theatre. When it’s well-crafted, well-honed, it opens wounds for the purpose of encouraging conversation while also giving us the tools with which to have that conversation.

Coming from that place of knowing you are here for a purpose; you're here for a reason; that nobody is on this planet by accident... If you have that as your armor, you can show up as a performer and then see what you bring to the room. That's a good place to be in. I also tell people that it's really important to have the desire to perform, but also the willingness to do the work. What I mean by work, as any aspiring musical theatre kid knows, is singing all the time; taking dance and acting classes; doing monologues by yourself in your room etc. Whatever it is, do the work and do the necessary self-work too. Get therapy if you need therapy! I love therapy. It's so helpful to go. As actors, we portray so many different kinds of human being, so don't you also want to explore your own healing and better understand the human condition?

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