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It’s like a fairy tale…[Fairy tales] give you a context in which to talk about some things that you’re experiencing in your day-to-day. Theatre works in the same way—if it’s good theatre. When it’s well-crafted, well-honed, it opens wounds for the purpose of encouraging conversation while also giving us the tools with which to have that conversation.

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Theatre is a terrific environment to hone your storytelling skills as well as fine tune your performance, both of which I'm very grateful for and that I use in my prep process for this medium [of television], also, when you have a live audience, they are the last member of the cast, if you will. You can rehearse a show as much as you want,a how that night will turn out until your final company member is in the house, and that's the audience.

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Morally, good theatre and film for that matter disturbs and unnerves us, tries to rid us of our cliched reactions to the world around us by expanding our sympathies, stretching our imaginations, and enriches us.

Theatre has nothing to do with buildings or other physical constructions. Theatre — or theatricality — is the capacity, this human property which allows man to observe himself in action, in activity. The self-knowledge thus acquired allows him to be the subject (the one who observes) of another subject (the one who acts). It allows him to imagine variations of his action, to study alternatives. Man can see himself in the act of seeing, in the act of acting, in the act of feeling, the act of thinking. Feel himself feeling, think himself thinking.

It is not enough to demand insight and informative images of reality from the theater. Our theater must stimulate a desire for understanding, a delight in changing reality. Our audience must experience not only the ways to free Prometheus, but be schooled in the very desire to free him. Theater must teach all the pleasures and joys of discovery, all the feelings of triumph associated with liberation.

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In its most archaic sense, theatre is the capacity possessed by human beings—and not by animals—to observe themselves in action. Humans are capable of seeing themselves in the act of seeing, of thinking their emotions, of being moved by their thoughts. They can see themselves here and imagine themselves there; they can see themselves today and imagine themselves tomorrow. This is why humans are able to identify (themselves and others) and not merely to recognise.

When you leave the theater wanting to discuss the play, that’s a good play. When you leave the theater wanting to discuss your life and the world, that’s art

Art possesses the formidable tool of . Take, for instance, theatre. Theatre, by convention, agrees to be fake; thanks to this convention, which is innocuous, it can tell the truth. Art can tell the truth, because it is a transfigured language which doesn’t claim to possess divine truth; with its ability to transform relationships, it can address even the most terrible issues, exploring them without being destroyed by them. But artists have to be conscious of their role.

We need a type of theatre which not only releases the feelings, insights and impulses possible within the particular historical field of human relations in which the action takes place, but employs and encourages those thoughts and feelings which help transform the field itself.

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