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They are honoring a great one in Clemente. I have been watching his career ever since he joined the Pittsburgh club. Roberto should wind up as one of the all-time stars before he is through.

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He had such a flair. He had such a grace. He was a gentleman. I remember a royal essence about him. He was just so graceful. I wouldn’t dare say that I had an arm like Clemente, [but] I used to catch like Roberto. I stepped into the box like Roberto. Tried to be like Roberto. He was my baseball hero. He was the first hero I had. Big time. I even have an autographed Roberto Clemente baseball at home.

He reacts to many things bitterly, this pleasant, smiling young man, who is 32 years old, married now, with two sons, a sports hero here and back home in Puerto Rico. Clemente reacts to things bitterly because he is an honest man, and a feeling one. Baseball has become a game of automatons performing in mechanical ways. Scoreboards now tell you when to cheer. The words "Go-go-go" light up, and you obediently recite, "Go-go-go." A bugle sounds, and reflexively you murmur, "Charge!" Roberto Clemente is a throwback, as are many of his Latin cohorts—which means he has his flaws. Anger can twist him almost helpless with rage. But it has also made him not only a leader of men—automatons are poor leaders—but also a spokesman for his people. He spoke out, during 1966, in an Associated Press dispatch of August 23...

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He is a proud man. Proud of Puerto Rico, his native land, and proud to be a professional baseball player. He is a strong believer in the dignity of man and that all people, no matter their color, should work together. "I don't want to be a big shot. From head to toes, Roberto Clemente is good as Richard Nixon. I believe that. And I think that every man should believe that about himself. I am not dumb. I went to school. I made grades. But when I came here, I couldn't speak English. All I could say was, 'Me, Roberto Clemente.' Some of them laugh and say it sounded like, 'Me Tarzan, you Jane.'" He is a self-made man. He took his natural talents and made the most of them, in baseball and in his personal life. He's never abused them. "Some players are wild on the field and off the field. They are made to look like heroes. I get nothing but sarcasm. And people take me for a fool."

Roberto Clemente hit an outside fastball that was still rising when it hit against the light tower in left center field, 450 feet away from home plate. And on a 1-2 pitch at that. But there is no such thing as a good pitch to Clemente. Ask me how to pitch to Clemente, and I will tell you with complete confidence, "How do I know?" Roberto can hit any pitch, anywhere, at any time. He'll hit pitchouts, he'll hit brush-back pitches. He'll hit high, inside pitches deep to the opposite field, which would be ridiculous even if he didn't do it with both feet off the ground.

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Standing still as a statue in the October shadows, he looked, grotesquely, more like a patriot than anything usually seen on a baseball field. A trick of light perhaps. Yet what famous athlete last died for a cause bigger than himself? Clemente could sometimes seem like a pest, a nagging narcissist, with only his burningly serious play to deny it. Yet when that plane crashed carrying relief supplies to Nicaragua we saw what he had meant all along. It was like the old Clemente crashing into the right field wall in a losing game: the act of a totally serious man.
By chance I met Clemente once, in the humble role of autograph-seeker. He was doing wind sprints down at the Pirate training camp in Bradenton, Florida. And although I claimed I was getting an autograph for my son (true, for a change), he looked at me with a hidalgo’s contempt – at a grown man simpering over a blunt pencil; he turned his back abruptly and did another wind sprint, then slashed his name onto my scorecard and sauntered away. To hell with you, Clemente, I thought. But on the way out, I saw him funning with three old ladies from Allentown, Pennsylvania, and I have never seen sweeter courtesy.

I dedicate this hit to the fans in Pittsburgh. They have been wonderful. And to the people back in Puerto Rico, but especially to the fellow who pushed me to play baseball, Roberto Marin. He made me play. He carried me around looking for the man to sign me. [...] I dedicate that hit to the person I owe most to in professional baseball, Roberto Marin.

That's what I like about the World Series. It gives me a chance to talk with lots of writers, a chance for them to understand me better than in the past. When Roberto Clemente is mentioned, he is always mentioned with injuries. They say I'm moody, selfish, temperamental. That's not the real me. I was born with a serious face. If you know my life, if you know me well by taking the time to learn to know me, then you'll understand me. Most places I go, people say "smile." I don't like that. I don't believe in being a hypocrite. If the occasion is for smiling, I will be smiling. I'm a very happy person.

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"I hit it good and thought it was going over the wall when it left my bat," he observed. Clemente also said this is the fifth time he has hit a ball that was within inches of clearing the fence at the 436-foot sign—two against the Dodgers and two against the Braves.

I never think about that before the season. Toward the end of the year I start thinking about it. Not before. I did it last year by just meeting the ball, he said. I didn't swing hard at all. I think I'm going to do the same thing this year. We have two good hitters behind me now and I don't have to swing so hard. He means Donn Clendenon and Willie Stargell. The two hit a total of 41 homers to Clemente's 10 last year. They always say we need someone to hit home runs. We got some guys who can now. I don't care for home runs. I showed 'em I could do it when I hit 23 in 1961. Home runs aren't that important, though. Not to me, anyway.

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