I'm beginning to understand how my sense of identification with other women is making possible my own writing and recovery. Writing now, I'm struck b… - Elly Bulkin

The problem as I-and, I think, a great many other Jewish feminists-see it is to embrace the "We" of our Jewish identities without seeing "They" as totally Other. We strive to acknowledge Jewish identity and Jewish oppression as fundamental components of our lives and histories, individually and collectively, and, at the same time, to use what we know of being Jewish-as of our other identities and oppressions-to understand generations of experience that have some parallels, yet are different from our own. This process is complicated, and the history between non-Jewish people of color and white Jews has not made it less so. (III. THREADS)

Lesbian Poetry must be seen as a the tip of an iceberg. The presence in it, for example, of Jean Mollison, a 63-year-old woman from rural New York who has many poems that have previously been seen only by close friends, serves as a crucial reminder of the existence of those lesbians whose work we have not seen, but who might very well have been writing poetry for four decades or more. They too, no less than Sappho and Angelina Weld Grimké and Elsa Gidlow, are a part of the tradition of lesbian poetry. In reading the lesbian poetry in this anthology, we cannot afford to forget the background of silence and denial and oppression out of which a vital, visible lesbian poetry has stubbornly emerged. While this background is important because it is at the same time not very far behind us and still present, the appearance of Lesbian Poetry-like the appearance of other publications by women who clearly identify themselves as lesbians-affirms our diversity, our creativity, our strength, our determination to continue to struggle and survive in a hostile world.

Isolation. I had nobody to tell, and no language for it anyhow. (p28)