The angst of paramnesia — the sense of “deja vu” — is not purely and simply erased in poetic feeling; it is overcome by a contact made by consciousne… - René Daumal

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The angst of paramnesia — the sense of “deja vu” — is not purely and simply erased in poetic feeling; it is overcome by a contact made by consciousness with the universal, it becomes the feeling of a reminiscence of something that has existed for all eternity, that the poet has not created, but unveiled, and that we recognize immediately.

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About René Daumal

René Daumal (March 16, 1908 – May 21, 1944) was a French writer, philosopher and poet.

Biography information from Wikiquote

Also Known As

Pen Names: Mouchamiel Nathaniel Oncle Nathaniel

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Additional quotes by René Daumal

"The Kaffir, who tended the garden and looked after the chickens, in Cracow, used to sleep in the pigeon loft. He said it was "very good for the breath": One night, I had this terrifying dream. A huge corkscrew, which was the earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug but not hanging on so well, slither and stumble over the helix, and with my thoughts sent whirling down moving staircases made of a priori shapes. Suddenly, the fatal moment, there is a loud crack, my neck snaps, I fall flat on my face and I emerge in a splash of sparks before the Kaffir who had come to wake me. He says: "Did you have an attack of the nasties, then? Come and look at this": And he leads me to the pigeon loft and gets me to peep through a hole in the wall. I put my eye to it. I see a terrifying sight: a huge corkscrew, which was the Earth, was spinning round, turning on its axis and twisting in its own spiral, just like the signs outside American barbershops, and I could see myself, no bigger than a bug, but not hanging on so well....'

Eyes popping, the bumps on his forehead lit up, his moustache bristling, little Sidonius began the story again, which slotted into itself endlessly like the popular refrains everybody knows. He spoke feverishly, mangling his words. I listened, paralyzed with horror, at least ten times to his appalling rotating story. Then I went off to get a drink."

Out of a single man, they get a thousand: homo economicus, homo politicus, homo physico-chimicus, homo endocrinus, homo skeletonicus, homo emotions, homo percipiens, homo libidinosus, homo peregrinans, homo ridens, homo ratiocinans, homo artifex, homo aestbeticus, homo religiosus, homo sapiens, homo historicus, homo ethnographicus, and many, many more. But at the very end of the production line in this laboratory of mine sits a Scienter who is quite unique. Three thousand brains in one. His function is to collect all the data and clarifications written up by the specialist Scienters. When he has collated everything, he is convinced that he has clasped the red rabbit or the essential man entire to his understanding. There you are, you can see him from here,' he ended, with a sign to one of his assistants who brought me a pair of binoculars.

I put them to my eyes and, indeed, at the far end of the gallery, I saw the Omniscienter. There he was, an enormous cranial dome with a tiny, shapeless, crumpled face, which seemed to me to be hanging by the ears from the two ebony knobs on the back of a raised throne. Swinging to and fro beneath this head was a little cloth puppet which dangled its empty trouser legs over the crimson plush seat. His tiny right arm was kept aloft by means of a wire, and the index finger rested on his temple in the gesture of one who knows. Above the throne ran a banner bearing this inscription:

I KNOW EVERYTHING, BUT I DON'T UNDERSTAND ANY OF IT

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"It was at that moment that I called in a few of the top Fidgeters who, under my directions, set about organizing the destruction of the young. The method is quite straightforward; the children are taken at the time when their intelligence is not yet fully developed, and their passions respond to the slightest stimulation; they are made to live in companies, dressed and armed uniformly, and by means of magic speeches and collective physical exercises, whose secret is ours alone, we give them what we call "the cult of the common ideal"; this is an absolute devotion to a loud-mouthed, authoritarian person, or to a particular form of dress, or to some catch phrase, or to a certain grouping of colors, or whatever. All we need then is to have here two opposing groups of young people (or more than two, but an even number is preferable) who have been kept at a high level of emotional tension; the sole precaution to take is to leave no time for their brains to function, but that's easy enough. Then (are you with me?) when they have reached just the right pitch, they are let loose on one another...and afterwards, we can breathe easy for a while. This, at the same time, occupies and enriches the manufacturers and sellers of uniforms and armaments, and the authors of tracts which recommend the uses of carnage, one of whom wrote recently: "The young man who is not killed in the flower of youth is not a young man, he is the old man of tomorrow.

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