Most of my friends who do love to read would, at the time, never consider themselves science fiction readers. They associated it with whatever they s… - Sheree Thomas

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Most of my friends who do love to read would, at the time, never consider themselves science fiction readers. They associated it with whatever they saw on television and whatever they stopped reading when they were little. And that's it. They simply thought white boys with guns, white boys with toys, lasers, or space operas, and that's it. They had no idea of all the different amazing work that's been going on for decades and decades and decades. And I thought, once they get it they're gonna love it.

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About Sheree Thomas

Sheree Renée Thomas (born September 30, 1972) is a writer, book editor, publisher, and contributor to many notable publications. In 2020, Thomas was named editor of The Magazine of Fantasy & Science Fiction.

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Alternative Names: Sheree Renée Thomas Sheree R. Thomas
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My parents were... It was in the house along with James Baldwin, and Amiri Baraka when he was LeRoi Jones. All of that was in the house. It was like my play land. And I'd like to say, they are like regular working class people who contribute to the bottom line. They didn't necessarily show up at the writers' conventions, or stand up at readings, but they bought books and read them regularly. In fact, that's how I learned about Tolkien. It was in the house. There were books everywhere and, of course, LPs [long-playing records] everywhere.

I never quite know how to answer this question. I started working on Dark Matter in 1998, sold it in 1999, and it was published in 2000. We’re still having the same conversations about the paucity of diversity in the publishing industry that we were having then—except then, people could identify only a handful of black writers actively writing and publishing in the genre. Samuel R. Delany and Nalo Hopkinson spoke about waiting to see that “critical mass” and the inevitable backlash from that.

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What still needs to be accomplished can be summed up by the lovely album released on my birthday last year by Solange—A Seat at the Table. How much significant, systemic progress and change can be made if you still don’t have a seat at the table? Walter Mosley was organizing around this question in the early 90s via PEN’s Open Book Committee, which I believe he founded, to help bring more people of color into the publishing industry. Why is that vital? Because different people at the table ask different questions, seek different voices, and have a different relationship to all the things we are told are “universal.” Intersectionality matters. Consider what work we wouldn’t get to read if other talented people didn’t get a seat at the table, a chance to guest edit, an opportunity to curate, to be a juror, to host, promote, celebrate, read and review, be reviewed, speak …

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