I never quite know how to answer this question. I started working on Dark Matter in 1998, sold it in 1999, and it was published in 2000. We’re still having the same conversations about the paucity of diversity in the publishing industry that we were having then—except then, people could identify only a handful of black writers actively writing and publishing in the genre. Samuel R. Delany and Nalo Hopkinson spoke about waiting to see that “critical mass” and the inevitable backlash from that.
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Dark matter as a metaphor offers us an interesting way of examining blacks and science fiction. The metaphor can be applied to a discussion of the individual writers as black artists in society and how that identity affects their work. It can also be applied to a discussion of their influence and impact on the sf genre in general. While the "black sf as dark matter" metaphor is novel, the concept behind it is not. The metaphor is neither farfetched nor uncommon if one considers popular themes within the black literary tradition. An excellent example is Ralph Ellison's Invisible Man (1945), a novel that introduced the idea of black invisibility.
Today, like the elusive planet Vulcan in the nineteenth century, dark matter is accepted by the majority of astronomers and physicists as actually existing. Dark matter, although it has never been seen, is part of the generally accepted standard model of physics and cosmology, which also includes the big bang beginning of the universe.
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Dark matter is what my research team is looking for. No one knows what it is. There's more stuff out there in the universe than we can see, that's the point. We can see the stars and the galaxies and the things that shine, but for it all to hang together and not fly apart, there needs to be a lot more of it — to make gravity work, you see. But no one can detect it. So there are lots of different research projects trying to find out what it is, and this is one of them. ... We think it's some kind of elementary particle. Something quite different from anything discovered so far. But the particles are very hard to detect.
Of all of the many mysteries of modern astronomy, none is more vexing than the nature of dark matter... This dark matter has eluded every effort by astronomers and physicists to bring it out of the shadows. A handful of us suspect that it might not really exist, and others are beginning to consider this possibility seriously.
... there are particles ... that we have never seen in a laboratory but astronomers tell us make up most of the matter in the universe — the so-called . It's dark because it doesn't radiate — it doesn't interact with light. We just know about it because of its gravitational field. What is the dark matter? ... We have a lot of ideas — all going in different directions. We don't know which is the right idea.
A long time ago when I first got interested in MOND, having come from the background where I believed in dark matter, I wrote a proposal saying, "Gee, this theory had its predictions come true, ... we should look into that" and it was rejected, you know, very harshly. And I thought "OK, the community is not willing to fund this kind of thing" — this was almost twenty years ago. And so I basically did a global substitute, replaced MOND with dark matter, resubmitted, and I got my money. ... Pavel is totally correct that scientists are focused on getting grants, because that's what you need to support your students, and your postdocs, and getting the data, and all those sort of things. And I would like to believe that that was an anecdote from the distant past, but I am aware of a colleague who had this experience very recently where this person did not even mention MOND in the proposal, but the panel came back saying "MOND is no good — you must not spend money on this." ... the panel had associated ... this person's name with having at some point written a paper about MOND and projected that onto this proposal that ... did not mention MOND. And so it really is that bad.
Long before The Heart of Darkness, the imagination had acted as an instigator of historical change. Africa became the "unknown" and blackness was equated with the "Other." Two hundred years of slavery said so. And as these thoughts became institutionalized and codified, first in the form of slavery and later in the imaginary lines of political maps that documented the scramble for Africa, the people behind the "blackness" receded into the background. They became dark matter, invisible to the naked eye; and yet their influence-their gravitational pull on the world around them-would become undeniable.
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