My main focus while teaching is that the actor learns to fully express their own uniqueness and truth as a human being, and break through the patterns and blockages that prevent them from living fully and truthfully that part of themself that is the character, onstage or in front of the camera. We train and rehearse with very specific exercises that reveal the actor to himself and to the audience and also give the actor the courage to express who he is and to trust in himself and his instrument.

What they teach in these acting schools is incredible, hair-raising crap. The Actors Studio in America is supposed to be the worst. There the students learn how to be natural - that is, they flop around, pick their noses, scratch their balls. This bullshit is known as "method acting." How can you "teach" someone to be an actor? How can you teach someone how and what to feel and how to express it? How can someone teach me how to laugh or cry? How to be glad and how to be sad? What pain is, or despair or happiness? What poverty and hunger are? What hate and love are? What desire is, and fulfillment? No, I don't want to waste my time with these arrogant morons.

So much of acting is technical. Actually, I don’t want people to think that acting is technical, that you don’t need to have a rich fountain of emotional life and all those kinds of things, and know how to focus and concentrate and have good imagination and all of the other things that really make up an actor. One of the things they teach you, for example, in acting class is respond to your instinct, to your moment-to-moment instincts. If they just did that, they’d never get the shot, you know? Because you’d be walking all over… You’d be doing it differently every time. And the camera guys and the light guys, they need to know what you’re going to do. That’s what I mean by, if you just followed your instinct, or follow your impulses, which is what they say to you in acting class, you have to do that but you have to do it in a very confined window.

I had an acting teacher who once told me that you could never really create from comfort. To do well as an actress, you have to push yourself to the edge. When you're comfortable, you're still on your ass. Sometimes we sit on our ass even with things we don't like. The whining, the crying, the becoming the victim, the this-town-doesn't-like-me-because-I'm-Mexican could've all made me say, "That's it — racism takes care of all my problems." … I think that's why it's harder for us to succeed, because we have a beautiful, comfortable crutch. It's right there, available.

Interviewer: What advice do you have for kids who are as an actress? Either way I would encourage kids to make good choices, don’t get forced into things due to peer pressure, lead a healthy and safe life, and excel in the things you love. You can be great at anything, as long as you like doing it.

The teacher has to inspire, to agitate. You cannot teach acting. You can only stimulate what's already there.

You learn to focus on what you do well. Especially if you already have an instinct for acting, training allows you to improve very quickly. It allows you to pinpoint your talents and avoid taking roles as extras or supporting characters that aren't that beneficial to your career.

They (up and coming actors) should just be themselves. Believe in what they are doing and can do. One day they will get good roles and if they play them properly, they will be made.

I don't understand acting. Sometimes I only understand it while I'm doing it, and sometimes not even then. You cannot study acting. You can get new tools to use..., but you can't become something by studying, you just can't. You can become better. But some people can't even do that. They are best when they are very young because they are restless. When the restlessness settles, the acting goes. When acting goes for me, I'll just stop and do something else. I hope I always will get better and better, meaning bigger and bigger and more courageous and deeper and lighter and more flexible. But when it's time to go, it's time to go. There is no use trying to ride a wooden horse.

I always believe – If I direct I’ll become a better actor, and if I act I’ll become a better diretor

Study the craft of acting, at a reputable institution, first of all. This business means you need to work at your craft, long hours, preparation, professionalism, dedication is what is needed.

It’s a hard industry. As long as you love acting, do it for the acting, not for making money. Be in it because you love playing other characters, and never stop growing. Study. You are going to learn a lot from everyone. Stretch yourself. It needs to be your passion, and not for fame. I have very lucky my whole life, and I just love acting so much. Embrace it and immerse yourself in it

I think as an actress, it's very important to have a beginner's mind, and how you stick to it. If your environment is very noisy, how do you focus on the character? Shaping (the role) is not easy, so I hope my environment is not too noisy.

Acting is a very powerful tool that allows me to communicate with people. Very often, I can express myself more in acting than in everyday life. I would like to be able to tell a character with a strong story behind them. I want to be able to give a message of strength, of positivity, of courage. It would be interesting to be able to give a voice to a person who lives in dark moments but manages to draw a chance for change. Also, it would be very interesting to be able to experience a girl who is far from who I am in reality and who allows me to be able to talk about sensitive topics such as bullying.